202,918 research outputs found

    Public Funding for Art: Chicago Compared with 12 Peer Regions

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    Supported in part by Arts Alliance Illinois, and with the cooperation of several local arts agencies, including Chicago's Department of Cultural Affairs and Special events, and of the National Assembly of State Arts Agencies.This study compares the direct public dollars received by organizations and artists in Baltimore, Boston, Chicago, Cleveland, Columbus, Denver, Houston, Miami, Philadelphia, Phoenix, Portland (OR), San Diego, and San Francisco from 2002-2012.Often, studies of public funding for the arts look at appropriations made on the national and state levels and estimates of local expenditures, but this report delves more deeply using grant-level data to examine the dollars received by organizations and artists resident in each city or region.Key findings:In 2012, Chicago arts organizations received 7.3millioninpublicdollarsviacompetitivegrantsfromlocal,state,andnationalpublicartsagenciescombined.Onlythreeofthe13regionsstudiedreceivedmoretotaldollarsin2012.ThoughChicagoartsorganizationsreceiveamongthegreatestamountsofpublicfundingintotal,arelativelysmallportioncomesfromthecitysDepartmentofCulturalAffairsandSpecialEvents.OfthecompetitiveartsgrantsdollarsreceivedinChicagoin2012,597.3 million in public dollars via competitive grants from local, state, and national public arts agencies combined. Only three of the 13 regions studied received more total dollars in 2012.Though Chicago arts organizations receive among the greatest amounts of public funding in total, a relatively small portion comes from the city's Department of Cultural Affairs and Special Events. Of the competitive arts grants dollars received in Chicago in 2012, 59% came from the Illinois Arts Council, 24% from the National Endowment for the Arts, and 17% from the city's Department of Cultural Affairs and Special Events. For most cities/regions in our study, excluding Chicago, the majority of public grant dollars received by not-for-profits in the area for arts programming came from their local arts agency in 2012. For example, in 2012, San Diego received 93% of its public funding from the local level, 2% from the state level, and 4% from the federal level.DCASE's funding levels have been among the lowest of the 13 cities/regions studied on both a per capita basis, and in terms of total dollars, over the past decade (2002-2012). In 2012, Chicago's Department of Cultural Affairs and Special Events awarded 1.2 million in grants, which is $0.44 per capita. Of the 13 local agencies analyzed, only Phoenix, Boston, and Baltimore spent less in total dollar or per capita terms in 2012.Over the past decade, DCASE annually awarded among the highest total number of grants compared with other regions' local agencies. In 2012, DCASE awarded 520 grants in total -- 305 to organizations and 215 to individuals. In 2012, it awarded competitive grants to approximately 31% of the arts and cultural organizations in the city.Aside from competitive grants, five of the 13 cities/metro regions included in this study provide support to select arts and cultural organizations through line-items, which serve as significant sources of general operating funds

    Career Handbook

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    The job search, no matter what step you are on, can be a daunting and intimidating process. We want you to know that you are not alone in this journey. Since the day you arrived on campus, you have been surrounded by the support of family, friends, professors, staff, and peers. As you move into the next stage of your professional journey, we want you to know that you have the support of Career Services, the Alumni Association, and all of the employers who are part of the Hire a Rebel family to mentor, guide, and walk with you through the jobbing process. We are invested in the community of Las Vegas, the network of UNLV, and in each of you to help you to grow and transition from student to professional. The road to career success is not as easy as we might hope for. You may encounter setbacks and struggles throughout the next few years, but keep in mind that each situation you encounter and every decision you make is shaping you into a Rebel professional. By taking advantage of the resources that come along with being a UNLV Rebel, you will network with amazing and successful professionals already thriving in the field, build your own career toolkit, and navigate through the professional world with the skill set that you learned while you were a student at UNLV. Whether you are working in an office, stage, gallery, restaurant, school, or even your own home, you are equipped with the knowledge, drive, and determination to find success. You have the spirit of a Rebel within you. When roadblocks get in your way, use your network and your talents to navigate around, over, or through them. When you are met with overwhelming success, share those victories with your Rebel family. Remember that you are now and will always be connected through UNLV. We all have your back and are all excited for you on this journey. You are a Rebel today and you will be a Rebel forever. Welcome to the Hire a Rebel family!https://digitalscholarship.unlv.edu/career_handbook/1000/thumbnail.jp

    An analysis of practical lexicography: a reader (Ed. Fontenelle 2008)

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    Intended as a companion volume to The Oxford Guide to Practical Lexicography (Atkins and Rundell 2008), Fontenelle's book aims to bring together the most relevant papers in practical lexicography. This review article presents a critical analysis of the success thereof, both in quantitative and qualitative terms

    Supporting Youth Employment: A Guide for Community Groups

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    Although public money is available for education, job training and youth programs throughout the nation, many young people in low-income communities do not acquire the skills and credentials necessary to get high paying jobs. This Guide is a resource for parents, youth workers, educators and young people who want to take action. It details three major public funding sources that can support job-related training for youth: the WIA, TANF and State Education Assistance. The Guide also offers information on how to recognize effective programs, activities and supports, highlighting successful youth initiatives. A long list of youth-oriented resources is provided

    The New News: Journalism We Want and Need

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    Economic pressures on one hand and continuing democratization of news on the other have already changed the news picture in Chicago, as elsewhere in the U.S. The Chicago Tribune and Chicago Sun-Times are in bankruptcy, and local broadcast news programs also face economic pressures. Meanwhile, it seems every week brings a new local news entrepreneur from Gapers Block to Beachwood Reporter to Chi-Town Daily News to Windy Citizen to The Printed Blog.In response to these changes, the Knight Foundation is actively supporting a national effort to explore innovations in how information, especially at the local community level, is collected and disseminated to ensure that people find the information they need to make informed decisions about their community's future. The Chicago Community Trust is fortunate to have been selected as a partner working with the Knight Foundation in this effort through the Knight Community Information Challenge. For 94 years, the Trust has united donors to create charitable resources that respond to the changing needs of our community -- meeting basic needs, enriching lives and encouraging innovative ways to improve our neighborhoods and communities.Understanding how online information and communications are meeting, or not, the needs of the community is crucial to the Trust's project supported by the Knight Foundation. To this end, the Trust commissioned the Community Media Workshop to produce The New News: Journalism We Want and Need. We believe this report is a first of its kind resource offering an inventory and assessment of local news coverage for the region by utilizing the interactive power of the internet. Essays in this report also provide insightful perspectives on the opportunities and challenges

    A lattice framework for pricing display advertisement options with the stochastic volatility underlying model

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    Advertisement (abbreviated ad) options are a recent development in online advertising. Simply, an ad option is a first look contract in which a publisher or search engine grants an advertiser a right but not obligation to enter into transactions to purchase impressions or clicks from a specific ad slot at a pre-specified price on a specific delivery date. Such a structure provides advertisers with more flexibility of their guaranteed deliveries. The valuation of ad options is an important topic and previous studies on ad options pricing have been mostly restricted to the situations where the underlying prices follow a geometric Brownian motion (GBM). This assumption is reasonable for sponsored search; however, some studies have also indicated that it is not valid for display advertising. In this paper, we address this issue by employing a stochastic volatility (SV) model and discuss a lattice framework to approximate the proposed SV model in option pricing. Our developments are validated by experiments with real advertising data: (i) we find that the SV model has a better fitness over the GBM model; (ii) we validate the proposed lattice model via two sequential Monte Carlo simulation methods; (iii) we demonstrate that advertisers are able to flexibly manage their guaranteed deliveries by using the proposed options, and publishers can have an increased revenue when some of their inventories are sold via ad options.Comment: Bowei Chen and Jun Wang. A lattice framework for pricing display advertisement options with the stochastic volatility underlying model. Electronic Commerce Research and Applications, 2015, Volume 14, Issue 6, pages 465-479, ISSN: 1567-422

    Pragmatic meta analytic studies: learning the lessons from naturalistic evaluations of multiple cases

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    This paper explores the concept of pragmatic meta‐analytic studies in eLearning. Much educational technology literature focuses on developers and teachers describing and reflecting on their experiences. Few connections are made between these experiential ‘stories’. The data set is fragmented and offers few generalisable lessons. The field needs guidelines about what can be learnt from such single‐case reports. The pragmatic meta‐analytic studies described in this paper have two common aspects: (1) the cases are related in some way, and (2) the data are authentic, that is, the evaluations have followed a naturalistic approach. We suggest that examining a number of such cases is best done by a mixed‐methods approach with an emphasis on qualitative strategies. In the paper, we overview 63 eLearning cases. Three main meta‐analytic strategies were used: (1) meta‐analysis of the perception of usefulness across all cases, (2) meta‐analysis of recorded benefits and challenges across all cases, and (3) meta‐analysis of smaller groups of cases where the learning design and/or use of technology are similar. This study indicated that in Hong Kong the basic and non‐interactive eLearning strategies are often valued by students, while their perceptions of interactive strategies that are potentially more beneficial fluctuate. One possible explanation relates to the level of risk that teachers and students are willing to take in venturing into more innovative teaching and learning strategies
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