1 research outputs found
Hearing color, seeing sound: The relation between sound and colour / Audiovisual installation: Spectrozator
V magistrski nalogi z naslovom Poslušati barvo, videti zvok: Odnos med
vizualnim in zvočnim sem raziskovala vzporednice med zvokom in sliko,
razlike med vidnim in slušnim zaznavanjem, možnosti prevajanja glasbenega
tona v barvni odtenek, korespondence med pojmi v likovni in glasbeni teoriji
ter povezovanje zvočnega in vizualnega v umetnosti. Problem, ki nastane
v raziskovalnem procesu tovrstne teme, je, da si rezultati raziskav različnih
znanstvenikov niso enotni. Moje zanimanje na področju avdiovizualnega izhaja
iz VJ kulture, ključni element VJ-anja pa je vizualizacija glasbe. V raziskovalni
nalogi sem želela odkriti nove in drugačne pristope k vizualizaciji zvoka in
glasbe ter ugotoviti, ali za vsak glasbeni ton obstaja njemu pripadajoč barvni
odtenek in v kolikšni meri je ta podatek verodostojen. V praktičnem delu sem
za prevod zvoka v sliko uporabila programsko opremo, ki omogoča pretvorbo
zvočne datoteke v vizualni zapis. Narejene spektrogramske vizualne zapise sem
uporabila v interaktivni avdiovizualni instalaciji, ki je končni rezultat mojega
raziskovanja.In my master’s thesis, entitled “Hearing Color, Seeing Sound: The Relationship
Between Sound and Colour”, I explored the parallels between sound and image,
differences between visual and auditory perceptions, ways of converting musical
tones into colour, correspondences between concepts in art theory and music
theory and connecting audio and visual elements in art. There is a problem
of scientific consensus when it comes to research in these fields. My personal
interest with the audio-visual field came from my interation with the “VJ culture”
which deals with the visualization of music. The goal of my research thesis was
to discover new and different approaches to audio and music visualization and in
particular, to show that each musical tone can be paired with a particular colour -
that represents that specific musical tone in the visual realm and vice versa. The
tool used to experiment was a computer software that converts sound waves into
pixels or images. The finished spectrographic images were used in an interactive
audiovisual installation, which was also the end result of my research