Design and testing of an innovative cleaning tool for underwater applications

The aim of this work is to describe the development of an innovative cleaning tool for underwater applications, to be used in particular in the field of underwater archaeology. This work takes place in the framework of the EU FP7-funded ARROWS project. ARROWS adapts and develops low-cost autonomous underwater vehicle technologies to significantly reduce the costs of underwater archaeological operations, covering the full extent of archaeological campaigns. The project deals with underwater mapping, diagnosis and cleaning tasks. During the first half of the project, a cleaning tool prototype, able to be mounted on underwater vehicles, has been worked out: this cleaning tool will be exploited not only during research missions but also for the periodic monitoring, controlling and maintenance activities of well-known underwater archaeological sites (e.g. periodic cleaning operations).European ARROWS project from the European Union (308724

Geometric and Optic Characterization of a Hemispherical Dome Port for Underwater Photogrammetry

The popularity of automatic photogrammetric techniques has promoted many experiments in underwater scenarios leading to quite impressive visual results, even by non-experts. Despite these achievements, a deep understanding of camera and lens behaviors as well as optical phenomena involved in underwater operations is fundamental to better plan field campaigns and anticipate the achievable results. The paper presents a geometric investigation of a consumer grade underwater camera housing, manufactured by NiMAR and equipped with a 7'' dome port. After a review of flat and dome ports, the work analyzes, using simulations and real experiments, the main optical phenomena involved when operating a camera underwater. Specific aspects which deal with photogrammetric acquisitions are considered with some tests in laboratory and in a swimming pool. Results and considerations are shown and commented

Underwater acoustic localisation and referencing: an enhanced subsurface positioning method for archaeological data collection of submerged cultural resources

Traditional and modern optical methods of maritime archaeological site documentation typically lack absolute spatial information as part of submerged cultural heritage surveys in locations where shore-based satellite positioning technologies are not applicable for use. This is due to the inability to use satellite positioning receivers beneath the water surface as a result of the high attenuation rate of electromagnetic waves in a marine environment. The defence and offshore energy industries solved this problem through the incorporation of acoustic ranging systems used in conjunction with satellite positioning receivers. Underwater acoustic ranging equipment, such as ultra-short baseline (USBL) and long baseline (LBL) systems, are commonly used in geophysical surveys and marine construction projects to provide subsurface positioning information of underwater instrumentation such as towed sonar arrays, remotely-operated vehicles (ROVs), and divers. Satellite positioning and underwater acoustic ranging configurations have been in continuous use for more than three decades, and such equipment systems are readily available throughout the world for commercial and scientific applications. Despite the proven effectiveness and accessibility of these systems, maritime archaeology fieldwork practices have not successfully integrated these systems into established underwater data collection techniques. This thesis was established to determine if traditional and modern optical maritime archaeological data collection techniques are capable of being supplemented by a tandem satellite positioning system and USBL acoustic ranging configuration to provide underwater positioning information in accordance with universally-accepted geophysical surveying spatial and equipment standards, such as those published by the International Hydrographic Organization (IHO), Bureau of Ocean Energy Management (BOEM), Historic England, and others. In the absence of recognised spatial standards within the maritime archaeology community, this thesis relied on geophysical surveying spatial and equipment standards as the research parameters upon which the Underwater Acoustic Localisation and Referencing (UALR) methodology was developed. The UALR methodology presented in this thesis successfully incorporated a GPS/USBL configuration for providing subsurface latitude and longitude coordinates for ground control point positions for traditional and modern optical archaeological data collection techniques. The collected datasets were georeferenced using underwater spatial information gathered by the UALR methodology process, and demonstrated that these methods are capable of achieving spatial accuracy and measurement precision in accordance with geophysical surveying specifications. By adhering to these standards, the UALR methodology is applicable for use by archaeologists in support of geophysical surveying operations throughout the world

3D Recording and Interpretation for Maritime Archaeology

This open access peer-reviewed volume was inspired by the UNESCO UNITWIN Network for Underwater Archaeology International Workshop held at Flinders University, Adelaide, Australia in November 2016. Content is based on, but not limited to, the work presented at the workshop which was dedicated to 3D recording and interpretation for maritime archaeology. The volume consists of contributions from leading international experts as well as up-and-coming early career researchers from around the globe. The content of the book includes recording and analysis of maritime archaeology through emerging technologies, including both practical and theoretical contributions. Topics include photogrammetric recording, laser scanning, marine geophysical 3D survey techniques, virtual reality, 3D modelling and reconstruction, data integration and Geographic Information Systems. The principal incentive for this publication is the ongoing rapid shift in the methodologies of maritime archaeology within recent years and a marked increase in the use of 3D and digital approaches. This convergence of digital technologies such as underwater photography and photogrammetry, 3D sonar, 3D virtual reality, and 3D printing has highlighted a pressing need for these new methodologies to be considered together, both in terms of defining the state-of-the-art and for consideration of future directions. As a scholarly publication, the audience for the book includes students and researchers, as well as professionals working in various aspects of archaeology, heritage management, education, museums, and public policy. It will be of special interest to those working in the field of coastal cultural resource management and underwater archaeology but will also be of broader interest to anyone interested in archaeology and to those in other disciplines who are now engaging with 3D recording and visualization

IKUWA6. Shared Heritage

Celebrating the theme ‘Shared heritage’, IKUWA6 (the 6th International Congress for Underwater Archaeology), was the first such major conference to be held in the Asia-Pacific region, and the first IKUWA meeting hosted outside Europe since the organisation’s inception in Germany in the 1990s. A primary objective of holding IKUWA6 in Australia was to give greater voice to practitioners and emerging researchers across the Asia and Pacific regions who are often not well represented in northern hemisphere scientific gatherings of this scale; and, to focus on the areas of overlap in our mutual heritage, techniques and technology. Drawing together peer-reviewed presentations by delegates from across the world who converged in Fremantle in 2016 to participate, this volume covers a stimulating diversity of themes and niche topics of value to maritime archaeology practitioners, researchers, students, historians and museum professionals across the world