Macbeth : ópera fantástica en cuatro actos del célebre maestro Verdi : reperesentada en el Teatro de Burgos durante la temporada de otoño de 1850

Copia digital. Valladolid : Junta de Castilla y León. Consejería de Cultura y Turismo, 2009-201

Título: Obertura de la Fuerza del destino

Orgánico: 2[1.pic] 2 2 2 -- 4 2 3 1[cimbasso] -- tmp + 1 -- 2hp -- strperc: bd/cymDuración: 8Copia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, s2021Tít. de la carp.: `La Forza del destino `Obertura``Partes: Fl + Pic, Ob 1 + 2 (2), Cl 1 + 2 (2), Bn 1 + 2 (2), Hn 1 + 2 (2), 3 + 4 (2), Tp 1 + 2 (2), Tbn 1 + 2 (2), 3 + Cimbasso, Tmp, Bd, Hp 1, 2, Vn 1 (1 + 7 Fots.), Vn 2 (1 + 6 Fots.), Va (1 + 5 Fots.), Vc (1 + 4 Fots.), Db (1 + 4 Fots.

Programatisme Dalam Musik Instrumental Era Romantik (Programatism of Romantic Era in Instrumental Music)

Programatisme diartikan sebagai aliran atau faham yang berkembangsebagai kekuatan baru akibat dari sikap para komposer, seperti : Ludwigvon Beethoven (1770-1827) dan Franz Peter Schubert (1797-1828), yangmencipta musik program pada awal era Romantik abad ke-19. Sikapeksploratif Richard Wagner (1813-1883), Giussepe Verdi (1813-1901),maupun Franz Liszt (1811-1886), yang memberikan makna baru padakomposisi seakan mengoreksi dan bahkan menentang keterbatasan aliranmusik “absolut†yang tetap menekankan pada penggunaan bentuk-bentukmusik sebagai platform komposisi. Kandungan makna atau isi, maupunmuatan lain dipadukan dengan ide musikalnya sehingga terwujud musikyang lebih ekspresif bahkan sangat dramatis sesuai dengan “semanagtjaman†Romantik

Philharmonie im Albertinum / Konzert: 2. Konzert - 21. | 22. September 2013

Philharmonie im Albertinum »Aida« (1913) Stummfilm (Regisseur unbekannt) mit Musik von Giuseppe Verdi (1813 – 1901) bearbeitet von Helmut Imig »Richard Wagner« (1913) Stummfilm von Carl Froelich und William Wauer mit der Originalmusik von Giuseppe Becce, instrumentiert von Helmut Imi

Título: Misa de requiem

Orgánico: chorus, SATB sols. ---- 3[1.2.3/pic] 2 2 4 -- 4 8[4tp Fuera de escena] 3 1 -- tmp + 1 -- strperc: bdDuración: 84; duraciones movs.: 9 37 10 3 5 6 14Copia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, s2021Tít. de la carp.: `Requiem`Partes: Fl 1, 2, 3/Pic, Ob 1, 2, Cl 1, 2, Bn 1, 2, 3, 4, Hn 1, 2, 3, 4, Tp 1, 2, 3, 4, 5, 6, 7, 8 [tps 4-8, Fuera de escena], Tbn 1, 2, 3, Tuba, Tmp, Bd, Vn 1 (6 + 7 Fots.), Vn 2 (5 + 6 Fots.), Va (4 + 5 Fots.), Vc (3 + 4 Fots.), Db (2 + 3 Fots.)Contiene: Nr. 1. Requiem ; Nr. 2. Dies irae ; Nr. 3. Offertorio ; Nr. 4. Sanctus ; Nr. 5. Agnus Dei ; Nr. 6. Lux aeterna ; Nr. 7. Libera m

An Evening of Trombone Quartets, May 10, 1994

This is the concert program of the An Evening of Trombone Quartets performance on Tuesday, May 10, 1994 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were "Achieved is the Glorious Work," from "The Creation" by Franz Joseph Haydn, "Ave Maria," from "Otello" (arr. Scott Hartman) by Giuseppe Verdi, Fugue in D minor (arr. Richard Myers) by Johann Sebastian Bach, "Chorale," from "Prince Igor" (arr. A. Yawkelevich) by Alexander Borodin, Christus factus est (arr. Elwood Williams) by Anton Bruckner, Suita per 4 Tromboni by Kazimierz Serocki, Morgenmusik (arr. Leon Ni) by Paul Hindemith, Trombarron by Richard Cornell, Sarabande from Pour le Piano (arr. Ronald Barron) by Claude Debussy, and The Girl with the Flaxen Hair (arr. Ronald Barron) by C. Debussy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Studio Recital: students from the class of Joy McIntyre, November 23, 1997

This is the concert program of the Studio Recital: students from the class of Joy McIntyre performance on Sunday, November 23, 1997 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Non posso disperar by Salvatore DeLuca, The Mock Turtle's Song by John Duke, Auch kleine Dinge by Hugo Wolf, La Rondinella by Antonio Vivaldi, Verdi prati by George Frideric Handel, Nur wer die Sehnsucht kennt by G. F. Handel, Let me wander not unseen (from "L'Allegro ed il Pensiero") by G. F. Handel, Un marito, donne care (from "La Finta Semplice") by Wolfgang Amadeus Mozart, Though your strangeness frets my heart by Thomas Campion, Habanera (from "Carmen") by Georges Bizet, Care Selve by G. F. Handel, Rejoice Greatly (from "Messiah") by G. F. Handel, Arm, arm ye brave (from "Judas Maccabeus") by G. F. Handel, Gefrorene Tränen and Der Lindenbaum from "Die Winterreise" by Franz Schubert, Blute nur (from "Matthäus Passion") by Johann Sebastian Bach, En Prière by Gabriel Fauré, Chanson d'amour by G. Fauré, Sweeter than Roses by Henry Purcell, Ah, che morir vorrei (from "Adrianna a Naxos") by Franz Josef Haydn, Sechs Waltzer Lieder by Alexander von Zemlinsky, In der Fremde, Intermezzo, and Waldesgespräh from "Liederkreis," Op. 39 by Robert Schumann, Steal me, sweet thief (from "Old Maid and the Thief") by Gian Care Menotti, Un arua amoroso (from "Cosi fan tutte") by W. A. Mozart, and Parigi, o cara (from "La Traviata") by Giuseppe Verdi. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Wind Ensemble, March 26, 1987

This is the concert program of the Boston University Wind Ensemble performance on Thursday, March 26, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were La Forza Dek Destino by Giuseppe Verdi (arr. by M. L. Lake), Scene and Triumphal Dance of the Coolies by Reinhold Gliere (arr. Barbara Buehlman), El Abanico by Alfredo Javaloyes (arr. J. Ord Hume), The Vanished Army by Kenneth Alford, The Free Lance March by John Phillip Sousa, COncerto for Trumpet and Band by Alexander Arutyunian, Wellingtons Victory by Ludwig van Beethoven (arr. William Schaefer), and Symphony for Band by Donald E. McGinnis. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund