Tagebuch der Reise in der Niederlande

Copia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, 2021Fecha de 1900 tomada del WorldCa

Alberto Durero ... Della simmetria dei corpi humani : Libri quattro

Copia digital. Madrid : Ministerio de Cultura. Subdirección General de Coordinación Bibliotecaria, 2009Segundo imp. y segunda fecha constan en el colofón, en Z\p6\sMarca de Meietti en port. y de Nicolini en Z\p6\sTexto en línea tirada a dos colSign.: [cruz latina]\p6\s, A-L\p6\s, M\p8\s, N-P\p6\s, Q\p10\s, R-Z\p6\

De vrbibus, arcibus, castellisque condendis ...

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A Melancolia de Albercht Dürer (1471-1528)

Acreditamos que só a partir de um determinado número de provas e de clara mestria, se podia considerar a passagem de iniciado a Mestre. Julgamos que foi o que aconteceu a Dürer quando chegou pela primeira vez a Veneza. É provável que nesta cidade existisse uma representação da Nova Academia ou confraria congénere, e que nela tenha sido aceite, mas só durante a sua segunda visita entre 1505-1507, é que lhe foi reconhecido o grau de Mestre

Yves Delègue, Théologie et poésie ou la parole de vérité. La querelle entre Jacques Locher et Jacques Wimpheling (1500-1510)

Yves Delègue pubblica testi di una querelle che vede contrapposti Jakob Locher (1471-1528), lector in poesi all’Università di Ingolstadt, e Jakob Wimpheling (1450-1528), l’intellettuale che godette di tale prestigio da essere definito praeceptor Germaniae. Malgrado i contendenti appartengano all’area tedesca, la querelle, che si diffonde anzitutto fra Alsazia, Svizzera e Svevia, da Strasburgo a Basilea, Friburgo, Ingolstadt e Spira, ha risonanza in Europa e in primo luogo in Francia. Si tratt..

Evolution of Ink Drawing in History of Art

Drawings created by ink, have a long history of constant developing and evolving, in the result establishing itself as a self-contained drawing technique. Many giants of art, such as Leonardo da Vinci (1452 – 1519), Titian (~1488 – 1576), Albrecht Dürer (1471 – 1528), Marc Chagall (1887 - 1985), Pablo Picasso (1881- 1973) and Salvador Dalí (1904-1989) are well known for theirs artworks made with ink. The aim of the research: Trace and analyze evolution of ink drawing technique, through in ink created artworks of some well-known painters of 15-20 centuries

Renaissance Proportion Theory and Cosmology: Giovanni Paolo Gallucci’s Della Simmetria and Dürerian Neoplatonism

In 1591 Giovan Paolo Gallucci (1538-1621) published his Della simmetria def carpi humani (FIG. I), an Italian translation of the Four Books on Human Proportion, or Proportionslehre (1528), by Albrecht Durer (1471-1528).1 Though passed over in modem scholarship, and not as well-known as other publications from the last two decades of the Cinquecento, the encyclopedic treatment on human proportion theory in the new edition was widely read by artists and writers on art. A. Blunt demonstrated that Nicholas Poussin (1594-1665) made extensive use of Chapter LVII in the Libra quinto of Gallucci \u27s publication in his Osservazioni sopra la pittura printed by Giovan Pietro Bellori (1613-1696) in his Life of the artist. More recently, it has been cited that there was also an extensive reutilization oftl1e chapter, noted in a section on physiognomy in Vincenzo Carducho\u27s (ca.1578-1638) Dialogos de la pintura (1633). While Durer\u27s proportion studies had been translated into French (1557) and Latin (1532), the Italian version (reprinted in 1594) greatly expanded the artistic discourse and availability of information on human anatomy in Italy and remained the version most often cited in later treatises

Gisèle Besson, Jean-Claude Schmitt (éd.), Rêver de soi. Les songes autobiographiques au Moyen Âge

L’ouvrage est une anthologie de textes. Trente-six exactement, de longueur différente (entre deux pages et plus de vingt pages). Les auteurs sont présentés chronologiquement : cinq auteurs de l’Antiquité ; le reste pour le Moyen Âge, de Grégoire de Tours à Giovanni Di Pagolo Morelli (m. 1444), voire Albrecht Dürer déjà bien engagé dans le xvie siècle (1471-1528). Une substantielle introduction présente le thème, les choix de traductions, les auteurs. Puis u..