4 research outputs found

    Past and Present Milwaukee Civil Rights Education: the Significant Arenas of Community Activism and Current Digital Archival Collection Assessment

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    This thesis explores civil rights education as practiced by civil rights activists from the 1960s to the present day using the city of Milwaukee as a geographical focus. The first part of the thesis focuses on the civil rights historical narratives employed throughout the second half of the twentieth century, with a focus on activists in Milwaukee. The first chapter describes the various social realms in which activists employed civil rights education including law, religious organizations, and schools. The second chapter uses 1964 Milwaukee Freedom School curricula as a case study to analyze a historically significant form of civil rights education. The second part of this thesis analyzes the more recent creation of a digital collection as an effective and increasingly relevant educational tool. The final chapter uses the March on Milwaukee Civil Rights Project collection as a case study to consider how digital archival collections can become effective educational tools in academic institutions and beyond. The final chapter contributes to existing literature by modeling assessment methods specific to a digital archival collection. The thesis argues that the March on Milwaukee digital collection is distinctive because of its community outreach initiatives, which have extended a target audience beyond the confines of higher education to at-risk high school students. This thesis finds that local activists, teachers, and scholars have used civil rights narratives to educate and motivate people residing in cities such as Milwaukee, WI, to actively reflect on the causes of racial inequality as well as possible solutions. The case studies involving the 1964 Milwaukee freedom school curricula and the current March on Milwaukee digital collection provide specific evidence of community-driven education that have successfully engaged people who have traditionally been underserved by academic libraries and archives. The thesis analyzes a wide range of primary sources, including archival documents and newspapers, in addition to germane secondary works relevant to the history of race relations in Milwaukee and the United states. This thesis also uses interviews, historical scholarship, and current assessment models relating to digital collections. The evidence gathered from March on Milwaukee developer interviews and secondary scholarship on digital collections supports the idea that Milwaukee civil rights histories have evolved and continue to be relevant in 2014. The thesis concludes that the success of future digital archival collections will depend not merely on making information available to site visitors but also on the ability of librarians and archives to reach out to communities through partnerships and collaborations similar to those associated with the March on Milwaukee Civil Rights Project. Assessment of engagement efforts of this kind will require librarians and archives to complement quantitative measures with qualitative approaches that consider not just how many people access a site for how long, but also the extent to which people engage meaningfully with the information and find it useful and relevant for their own lives

    Speaking of Place

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    Environmental communicators highlight the importance of local voices and concerns in naturalresource planning, but others argue that the provincialism of place-based discourse can undermine the common good. How do participants speak of place in a public process and to what end? To answer these question, the author analyzed transcripts from thirty public discussions on water use. Findings indicated a discrete orientation toward the environment, as people compared one place to another and failed to mention natural or social connections between locales. The author suggests ways to improve public participation in light of the findings

    Approaches to 'place': A study exploring how New Zealand's digital collections conceptualise our social understanding of space

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    Research problem: The concept of ‘place’ has a clear presence in New Zealand’s digital heritage collections. However, some theorists suggest there is gap between place as a concept relevant to cultural heritage concerns and place as represented by digital technology. This research explores how geospatial and digital technology deployed in New Zealand’s digital collections engage with and conceptualise qualities usually associated with place: social bonds, emotional attachment and subjectivity. Methodology: This two-stage, mixed-methods study has a qualitative weighting. Web Content analysis (WebCA) gathered data from digital collections that demonstrate place inclusive features. An anonymous survey gathered opinions from practitioners who create place-inclusive digital collections. Descriptive statistics developed during quantitative analysis triangulated findings developed during thematic qualitative analysis. Results: New Zealand’s digital collections generate a sense-of-place using strategies that mimic subjective and experience-based understanding of the world. Some collections also engage with place in its ‘common-sense wrapper’ by using the deploying the place in a metadata context or as an overarching thematic structure. New Zealand’s cultural heritage practitioners are very practice-oriented in their consideration of place, and place-inclusive collections are most often impacted by resourcing issues. Implications: This project contributes to the growing ‘body of sustained critical thinking’ focusing on the implications of digital technology for cultural heritage concerns. It suggests place has considerable value and multiple functions within digital heritage collections. When conducting projects using geospatial technology, heritage practitioners can consider supplementing geospatial technology with user-contribution features, content variety, and an emphasis on storytelling to effectively reflect the subjective components of place
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