Echoes of the Diaspora from choro to flamenco

Abstract

This project explores the fusion of Brazilian music, flamenco, and jazz through original compositions centered on the bandolim and cavaquinho. Drawing on methodologies such as autoethnography and practice-based research, the work investigates shared rhythmic, harmonic, and cultural elements rooted in the African diaspora. Each composition reflects a dialogue between traditions, informed by historical research, transcription, and close collaboration with musicians from diverse backgrounds. The result is a portfolio that highlights the expressive potential of cross-cultural musical exchange, offering a contemporary perspective on identity, improvisation, and innovation. By situating personal narrative within broader social and musical contexts, the project aims to contribute to the global discourse on hybrid music practices and promote inclusive artistic expression.https://remix.berklee.edu/graduate-studies-contemporary-performance/1318/thumbnail.jp