Embodied frictional artistic encounters: The use of creativity and embodied learning as transformative and healing space/s.

Abstract

Offered as conversations with elmarie costandius as reflection on practice, this article discusses the use of creative learning processes as transformative and healing space/s, and further proposes that these activation spaces be named embodied frictional artistic encounters. the construct of embodied frictional artistic encounters includes three vital participants, the artist (as creative act) as the facilitator of the immersive experience together with the spect-actor, within a designated intra-active environment. Collectively these participants collaborate to activate the artistic encounters towards a transformative and healing outcome. These communal shared intra-active space/s are heightened through affect, resonance, and wit(h)nessing, where the frictional element pertains to awakening states of doubt to alter perspective forming towards empathy. This article intends to encapsulate creative embodied learning within embodied frictional artistic encounters (celFAE/CELfae) and offer this as a dynamic means to classify such activations that serve to foster change and healing

Similar works

Full text

thumbnail-image

TUT Digital Open Repository

redirect
Last time updated on 21/09/2025

This paper was published in TUT Digital Open Repository.

Having an issue?

Is data on this page outdated, violates copyrights or anything else? Report the problem now and we will take corresponding actions after reviewing your request.

Licence: http://creativecommons.org/licenses/by-nc-sa/4.0/