A COLLECTION OF TEXTILE DESIGNS REALIZED THROUGH PRINT TECHNIQUES INSPIRED BY FILM ART

Abstract

Ovaj diplomski rad istražuje rad istaknutih kostimografa poput Jenny Beaven, Patricie Fields, Brende Cooper i Jacqueline Durran te njihov utjecaj na filmsku i televizijsku industriju. Analiziraju se inovativni pristupi dizajnu, spoj povijesnih i suvremenih elemenata te autentični uzorci odnosno dizajn tekstila u kostimografiji. Poseban naglasak stavljen je na ulogu kostimografije u oblikovanju osobnosti likova i narativa, kao i na utjecaj modne industrije i brendova poput Moschina, Chanela i Versacea. Rad istražuje povezanost kostimografije i dizajna tekstila, naglašavajući njihov doprinos vizualnom identitetu, te njihov utjecaj na realizaciju vlastite kolekcije dizajna tekstila u digitalnom tisku i kolekcije torbi.This thesis explores the work of renowned costume designers such as Jenny Beaven, Patricia Field, Brenda Cooper, and Jacqueline Durran, as well as their impact on the film and television industry. It analyses innovative design approaches, the fusion of historical and contemporary elements, and the role of textile design in costume creation. Special emphasis is placed on the role of costume design in shaping character identity and narrative, as well as the influence of the fashion industry and brands such as Moschino, Chanel, and Versace. The thesis examines the connection between costume and textile design, highlighting their contribution to visual identity and their influence on the development of an original textile design collection using digital printing, as well as a bag collection

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