This thesis analyzes Maxine Hong Kingston’s autobiographical The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Central to this book is the feeling of dividedness that stems from a double cultural heritage. Through reinventing the autobiography, Kingston reconciles the traditional Chinese collective identity of her immigrant parents with the individualism of American society
Is data on this page outdated, violates copyrights or anything else? Report the problem now and we will take corresponding actions after reviewing your request.