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The Taming of a Shrew: Composition as Induction to Authorship

By Roy Eriksen

Abstract

Roy Eriksen’s essay asks the question whether the notoriously unattributed The Taming of a Shrew might not in fact bear the trace of Marlowe’s hand. Recognising the tendency of critics to dismiss the play as a mere “bad quarto” of a lost play that Shakespeare drew on, Eriksen suggests that A Shrew may be Marlowe’s original work—a claim which the long-recognised presence of Marlovian allusions and Marlowe’s own propensity for self-quotation do not reject

Topics: Roy Eriksen, Taming of a Shrew, Taming of the Shrew, Marlowe
Publisher: Uni-pub, Norway (hard copy)
Year: 2005
OAI identifier: oai:gupea.ub.gu.se:2077/229
Journal:

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