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Interpretations of digital exhibition. Assessing the academic pertinence of commercial and political definitions. A case study

By Simon James Walker

Abstract

The principal research question of this study is framed as:\ud Do prevailing, industrially and politically sourced definitions of\ud Digital Exhibition faithfully represent the phenomenon¿s position\ud within the contemporary media theory framework?\ud Within this work Digital Exhibition is defined as:\ud The practice of presenting moving images, either live or pre-recorded,\ud to paying audiences, in public spaces, by means of digital distribution\ud and projection.\ud The majority of established literatures concerning Digital Exhibition are aimed at\ud producing categorical definitions of the phenomenon. These ¿meaning making¿\ud discourses commonly stem from potentially ideologically affected sources.\ud To address this issue, the author has investigated the political economy of key\ud commentators, and Digital Exhibition has been impartially researched following a\ud ¿case studies¿ methodology; with an analytical framework based upon a series of\ud ¿plausible rival hypotheses¿. These hypotheses include that Digital Exhibition isM\ud ¿ a form of the cinema\ud ¿ a form of television\ud ¿ a new (new media) medium\ud ¿ multiple media\ud ¿ not a medium\ud It is presented that each investigated hypothesis can be argued to be legitimate\ud when employing established media theories as the means of rationalisation.\ud Nevertheless, the author concludes that individual industrially / politically\ud charged definitions still do not provide an adequately comprehensive account\ud as to the wealth of interpretations that can be drawn for Digital Exhibition.\ud The author also presents his own perspective as to the subjective nature of\ud contemporary media taxonomies, and ultimately proposes that Digital Exhibition is\ud not a medium, but is a designation offered to a subjectively defined collection of events\ud made possible through the transmission of computational binary pulse signals

Topics: Digital exhibition, ; Interpretation, ; Definitions, ; Contemporary media theory, ; Multiple media, ; Medium
Publisher: Bradford Media School School of Computing Informatics and Media
Year: 2011
OAI identifier: oai:bradscholars.brad.ac.uk:10454/5334
Provided by: Bradford Scholars

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