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Brian Ferneyhough : the logic of the figure

By Lois Fitch
Topics: Learning disabilities Counseling of. Learning disabled youth Counseling of.
Year: 2005
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Provided by: Durham e-Theses

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  1. (1987). and London: Athlone Press, doi
  2. (1981). and revised edition, doi
  3. (1977). Book translated as: Anti-Oedipus: Capitalism doi
  4. (1996). Brian Ferneyhough in Conversation with Joshua Cody' (Website: http: //www. sospeso. com/contents/articles/ferneyhough p I. html,
  5. (1986). Cinema-1: L'Image-mouvement (Paris: Editions de Minuit, doi
  6. (2000). DeBevoise (Princeton and Oxford: doi
  7. (1995). Greco 480 (Minneapolis:
  8. (1983). Hugh Tomlinson (London: Athlone Press and New York:
  9. (1987). Includes an unpublished interview with Brian Ferneyhough.
  10. (1988). L 'ecriture et la difference (Paris: Editions du Seuil, doi
  11. (2002). Logique de la sensation, coll. Vordre philosophique', dir. Alain Badiou and Barbara Cassin (Paris: Editions du Seuil,
  12. (1999). Lyotard: Writing the Event (New York: doi
  13. (1988). Poetic origins and final phases' in Modern Criticism and Theory: A
  14. (1999). Presentation du Trio a cordes', trans. Peter Szendy, in Brian Ferneyhough, coll. `Compositeurs d'aujourd'hui' (Paris: Editions Ircam,
  15. (1977). Self-Portrait in a Convex Mirror (Manchester: doi
  16. (2003). Smith (London:
  17. (1999). Supplementary appendices trans. Mark Lewis and Robin Durie (Manchester: Clinamen Press,
  18. (1994). Translated as: Difference and Repetition, trans. Paul Patton (London: Athlone Press and New York:
  19. (2001). Translated as: The Fold: Leibniz and the Baroque, trans. Tom Conley (London: Athlone Press,
  20. (1998). Translation of Ce qui nous fait penser: la nature et la regle (Editions Odile Jacob,
  21. (1991). Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton: doi

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