سر سید احمد خان کا اُردو زبان وادب کے فروغ میں حصہ

The scope of Sir Syed's reformation services was very wide and diverse. Fortunately, he got some success on every front. But literature is the only front where not only he got more success than expected but also had to endure such resistances and oppositions. As was the case on other fronts, especially on the religious front. Most of his literary reforms proved groundbreaking in terms of their far-reaching consequences. Sir Syed's thoughts and ideas influenced both the individual and the community at the same time. Friends were affected as well as enemies. Those who did not understand the new situation, ignored the requirements of time and era, their efforts went in vain.The caravan of time moved on and they were lost in the mist. He showed a bright highway to Urdu literature, on which we are two four today with a new observational horizon and a new world meaning. Undoubtedly, the wealth of Sir Syed's services in the galaxy past and present is bright and shining

اقبال کی تصنیف ”بانگ درا“ کا تحقیدی مطالعہ

Iqbal's poetry is the highest capital of thought and art. It is easy to draw conclusions from the critical study of Iqbal's thought. "Bang-e-Dara" is the first collection of Iqbal's Urdu poetry. Despite the passage of a hundred years, his study has become a point of light.From the poetry of Iqbal's early period, the stages of his evolution can be seen. The study of "Bang-e-Dara" is a manifestation of the awareness of Iqbal's poetic qualities,as it can be judged by study. Iqbal analyst have presented their own point of view.This is the reason for the fame of "Bang-e-Dara”. In this book we can clearly witness the basic goal and manifesto of Iqbal studies. Some critics have severely criticized the compositions of "Bang-e-Dara" from a technical point of view. This article paves the way for critical study of "Bang-e-Dar

بانگ درا: اقبال کے سوالات اور فارسی اشعار سے جوابات

Iqbal had established himself as a Persian poet and had published three books in Persian. He made a turn to Urdu language and brought his book Bang e Dera. That was not all of a sudden. He has already compiled his poems and published in different journals and recited at different occasions. He had set higher standards for his poetry and he had become famous for his earler Persian poetry, which was being translated in England. Bang e Dera had an evolutionary value, as it was arranged in three chronological divisions; before, during and after his stay in England and Germany. One may see a gradual change in his poetic skills, maturity of language and maturity of thoughts. Iqbal has diverted from translations and poetry of nature and features towards philosophy, morality, character building and synthesis of his political views. The language was heavily Persianized and raised questions, for which he provided answers from the verses of his predecessor Persian poets. With the passage of time, he was studying Persian poetry in depth and was inclined to the poets who have dealt with metaphysics and humainities. His inquisitive mind sought solution of dilemmas and he found many answers in the classical Persian poetry. They included Saadi, Hafiz, Faizi, Neziri, Urfi, Abu Talib Kalim and Anisi Shamlu. Iqbal was in touch with Akbar Alahabadi and in the end of the book, he shares his sense of humour with Akbar. He was more interested in continuous poem; some of them being chains of ghalgs. The book dealt with a variety of subjects. It has inquisitiveness, dialogues and monologues. The topics were similar to those of Peyam e Mashreq, which was compiled during the same days. The objects and forces of nature speak and the nature is depicted in the best possible way. Bang e Dera also introduced the poetry written in English in Urdu translation. It was at times verse by verse, sometimes with more informal way and skipped some verses. His songs for Indian nation and Muslim universal nationhood, raised many voices. Iqbals was moving forwards and every coming day  led his poetic perfectio

بانگِ درا میں ظرفِ مکاں کی معنویت (تجزیاتی مطالعہ بحوالہ حصہ اول )

This article examines the concept of "spatiality" in Dr. Muhammad Iqbal's first Urdu poetry collection, Bang-e-Dra. Iqbal’s poetry investigates how time and place influence human psychology and identity, reflecting on how physical spaces—be they natural landscapes, cultural landmarks, or sites of historical or religious significance—shape emotions, thoughts, and behavior. This analysis sheds light on Iqbal’s vision of "place" as an integral part of identity, national pride, and cultural heritage. Space in Iqbal's poetry transcends its role as a mere backdrop, emerging as an active character that affects the narrative and emotions. His verses connect profoundly with places like the Himalayas, symbolizing resilience and cultural roots, and religious sites such as Makkah and Madinah, which represent spiritual unity for the Muslim world. The study explores how spatial references in Iqbal’s work become emblems of national and spiritual identity, shaping intellectual and emotional journeys. Mountains and rivers often symbolize spiritual quests, while urban settings reflect societal issues and the challenges of modern life. Iqbal’s spatial framework invites readers to acknowledge the deep impact of environment on consciousness, transforming space from mere surroundings into a medium for philosophical reflection. Ultimately, Iqbal’s concept of spatiality is both inspirational and symbolic, offering insight into the intrinsic link between individuals and places in his vision of a culturally and spiritually enlightened society

شکوہ، جواب شکوہ: روایت اورفنی محاسن

In Iqbal's poetry, the awareness of tradition is not limited to Urdu alone, but extends to the styles of Arabic, Persian and Hindi poetry. Where the brilliance of the above-mentioned diverse styles shines in Iqbal's other masterpiece poems, it shines fully in " Shikwa, Jawab-e-Shikwa " as well. From this point of view, this poem is not limited to a religious experience or a national feeling like Hali's hexagon, but is also a high example of poetic expression. In " Shikwa, Jawab-e-Shikwa " attention can be paid to its metaphorical atmosphere in the poetry. Iqbal has created a unique illustration through Golestan and its related works to show the contemporary crisis of the Muslim Ummah.In Iqbal's desert illustrations, the hints that introduced his Hindi songs to Hijazi have also shown their reflection, and the narrative characters who belong to the desert of Arabia, but thanks to the passion of love, Persian and Urdu

اقبال سے نیا مکالمہ براستہ بانگِ درا

The ever-changing circumstances of life demand that Allama Muhammad Iqbal's claim that his poetry is an interpretation of the Quran and Sunnah be re-examined. Since the publication of his first poetic collection, Bang-e-Dara, until now, so much has been written about his philosophy that some critics say there's nothing left to explore. We believe that the existing critiques should be re-evaluated.With this aim, we revisited our notes on Bang-e-Dara on its centennial anniversary. These writings helped us understand how Iqbal's ideas had once filled us with conviction and confidence, but also led to doubts and uncertainty at times.If we had been convinced that Iqbal's poetry possessed universality, we could have spent the rest of our lives with that conviction. However, as we delved deeper into research, we were faced with an endless array of questions. It was then that we decided to engage in a direct dialogue with Iqbal through Bang-e-Dara.Due to the vastness of the topics covered in this poetic collection, it was impossible to discuss them all in this brief article. Therefore, we selected a few poems and ghazals to ask Iqbal how he can guide us in the modern era. We also asked if new events could diminish his impact. This article attempts to find answers to these questions and more

بانگِ درا کی نظموں میں اقبال کا شعری میلان اور فکری تنوع

Dr. Allama Muhammad Iqbal is one of the prominent poets of the 20th century.His first poetry collection in Urdu language “Bang-e-Dara” was Published in September 1924.The poems included in this collection like a bellto wake up the sleeping nation. “Iqbal has got eternal fame for “Bang-e-Dara”.A critical review of the poetry of Iqbal's poetry collection "Bang-i-Dara" reveals that the division of the poetry of "Bang-i-Dara" into different parts is actually a reflection of Iqbal's changing and evolving poetic inclinations and intellectual diversity.  The titles and themes of the poems in this collection indicate Iqbal's intellectual diversity. For example, attachment to nature, the dominance of patriotism, moral, religious, economic, religious and national feeling poems seem to be covered by the cloak of Iqbal's diverse poetic inclinations and thought.  "Bang–e-Dara" poems have given a fresh impetus to the nation of Islam, highlighting the national consciousness with the message of poetry.  The philosophy of the poems of "Bang-e-Dara" is actually the philosophy of life.  In the poems of "Bang-e-Dara" Iqbal is simultaneously a naturalist, a patriot, a national leader, a reformer of the nation, a satirist and a sage of the nation and a mixture of thought and philosophy

سید محمد اکرم اکرام اور حافظ شیرازی کے مشترکات غزل کا جائزہ

Hafiz Shirazi is the most famous poet of Persian “Ghazal”. His “Ghazal” has been popular in Iran and subcontinent, and Persian poets in Iran and subcontinent have been following his style. Among the poets influenced by him in Pakistan, one prominent name is Syed Muhammad AkramIkram. Syed Muhammad AkramIkram is a distinguished Persian scholar and poet of Pakistan. He continued to work in Punjab University. Several collections of his Persian poetry were published. He has clear influences of Hafiz Shirazi in his “Ghazal”. In this article, the poetic commonalities of Hafiz Shiraziand Syed Muhammad AkramIkram have been briefly reviewed

زبورمیں ادبی عناصر

The Bible is a combination of different books that consists of prose and poetry. ‘The book of Psalms’(Zaboor) in Old Testament is an example of Poetry. Therefore, ‘The book of Psalms’(Zaboor) should not only be considered as some religious text but also as a unique work of poetry and literature. This research article explores some literary aspects of the book of Psalms (Zaboor), delving into its unique structures, themes, and stylistic devices by analyzing some examples from this book. Special attention is given to the use of literary devices such as metaphor, allegory, and symbolism, and how these enhance the textamp;#39;s interpretive layer. The investigation highlights how these literary elements not only enhance the aesthetic experience but also deepen theological and moral messages. The research underscores the distinctiveness and influence of Psalms’ (Zaboor) poetry in the broader literary canon

"بانگ درا "کی عصر ی معنویت

Allama Iqbal is a Visionary, thinker, poet. His first Urdu poetry collection Bang-e-Dara was published in 1924.Preface of this book was written by Sheikh Abdul Qadir, a very close friend of Iqbal and editor of Literary Magazine "Makhzan". This book is divided into three parts. Even after 100 years of this publication His poetry still reflects the contemporary era. For any poetry to be universal, it must include its contemporary problems and their solution as Iqbal did. He clearly mentioned those issues like lack of unity, hypocrisy, patriotism, and selfishness among Muslims as the basis of problems, which can be overcome by self-knowledge, unity and the pursuit of monotheism and Prophet hood. In this way, the worth of this book is increasing day by day.