Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2

Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2

Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2

Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2

Susan Jaffe Tane and Karen Karbiener. <i>Poet of the Body: New York’s Walt Whitman.</i>

Susan Jaffe Tane and Karen Karbiener. Poet of the Body: New York’s Walt Whitman—An exhibition based on the Walt Whitman Collection of Susan Jaffe Tane on the occasion of the Bicentennial Anniversary of Whitman’s Birthday. New York: The Grolier Club, 2019. 218 pp

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2

Walt Whitman: A Current Bibliography, Summer/Fall 2022

Walt Whitman: A Current Bibliography, Summer/Fall 2022

“A Singing Walt from the Mower”: Dylan Thomas and the “Whitmanian [Re]turn” in the Post-War Poetic Culture of the States

This essay explores the remarkable impact of Dylan Thomas's readings on the poetic culture of the post-war USA. It argues that this contributed to the "Whitmanian turn" taken by that culture from that point onwards

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4

“If you call on me I will tell you what I know of Walt”: Unrecorded Assessment of Walter and Walt Whitman by William Booth, Brooklyn Carpenter

This note examines a previously unrecorded 1904 letter by a Brooklyn carpenter, William C. Booth, in which he provides his assessment of Walter and Walt Whitman. It excavates the contexts and contents of the letter and makes a case for its relevance to our biographical understanding of the poet and his father

Walt Whitman: A Current Bibliography, Winter/Spring 2023

Walt Whitman: A Current Bibliography, Winter/Spring 202

Two Resplendent Suns: Dante Alighieri and Walt Whitman

This essay presents an overview of the similarities in career-arc/autobiography, aesthetic, philosophical, and political views of Dante Alighieri (1265-1321) and Walt Whitman, focusing largely in their respective masterpieces the Comedy&nbsp;&nbsp;and Leaves of Grass