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2024-2025 Women\u27s Tennis Individual Match-by-Match Statistics

Sauder, Xinxian (Anna He)

Cedarville University CedarCommons Junior and Senior Recitals Concert and Recital Programs 1-26-2025 Xinxian Anna He Sauder, Senior Clarinet Recital Xinxian (Anna He) Sauder Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/junior_and_senior_recitals  Part of the Music Performance Commons Recommended Citation Sauder, Xinxian (Anna He), "Xinxian Anna He Sauder, Senior Clarinet Recital" (2025). Junior and Senior Recitals. 401. https://digitalcommons.cedarville.edu/junior_and_senior_recitals/401 This Program is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Junior and Senior Recitals by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu.  Solo de concours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . André Messager (1853–1929) 4 Fantasiestücke for Clarinet and Piano, Op. 43. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Niels Gade (1817–1890)1. Andantino con moto4. Allegro molto vivaceHommage à Manuel de Falla . . . . . . . . . . . . . . . . . . . . . Béla Kovács (1937–2021)Clarinet Concerto No. 1 in c minor, Op. 26. . . . . . . . . Louis Spohr (1784–1859)ed. Stanley Drucker (1929–2002)I. Adagio-AllegroII. AdagioIII. Rondo. VivaceXinxian is a student of Bruce Curlette.This recital is presented in partial fulfillment of the Bachelor of Music Education degree.No flash photography, please.  Please turn off all cell phones.Program NotesSolo de concours Composed in 1899 as a competition piece for the Paris Conservatoire, Solo de concoursexemplifies the French style of clarinet writing. Messager, a prominent conductor andcomposer of operettas, crafted this piece to showcase technical brilliance and lyricalexpressiveness. The work alternates between virtuosic passages and soaring melodiclines, highlighting the clarinet's agility and tonal beauty. For students, it demonstrateskey elements of French articulation and phrasing, making it a staple in clarinet pedagogy.4 Fantasiestücke for Clarinet and Piano, Op. 43Niels Gade, a Danish composer influenced by Mendelssohn and Schumann, created hisFantasiestücke in 1864. These character pieces blend Romantic lyricism withlighthearted charm. The Andantino con moto features a singing melody over a flowingaccompaniment, showcasing the clarinet's vocal qualities, while the Allegro molto vivaceis a lively, playful finale that requires precise articulation and rhythmic accuracy. Thesepieces are often studied for their emphasis on dynamic contrast and stylistic nuance.Hommage à Manuel de Falla  Hungarian clarinetist and composer Béla Kovács wrote Hommage à Manuel de Falla aspart of a series paying tribute to influential composers. This unaccompanied piece drawson Spanish folk elements and the rhythmic vitality of de Falla's music. It demands a widerange of expressive techniques, including rapid articulations, dynamic shifts, andintricate phrasing. For clarinetists, this work serves as both a technical challenge and anopportunity to explore diverse musical styles, making it a valuable addition to recitalprograms and teaching repertoire.Clarinet Concerto No. 1 in c minor, Op. 26 Louis Spohr's Clarinet Concerto No. 1 is one of the cornerstones of the Romantic clarinetrepertoire. Written in 1808 for virtuoso Johann Simon Hermstedt, this concertocombines dramatic intensity with lyrical beauty. The first movement, Adagio-Allegro,opens with a stately introduction leading to a fiery and dramatic Allegro. The secondmovement, Adagio, showcases the clarinet’s expressive capabilities through a poignantand flowing melody. The final Rondo is spirited and technically demanding, requiringdexterity and precision. This concerto is a critical piece in the education of clarinetists,offering insights into Romantic phrasing, technical facility, and expressive depth.Solo de concours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . André Messager (1853–1929) 4 Fantasiestücke for Clarinet and Piano, Op. 43. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Niels Gade (1817–1890)1. Andantino con moto4. Allegro molto vivaceHommage à Manuel de Falla . . . . . . . . . . . . . . . . . . . . . Béla Kovács (1937–2021)Clarinet Concerto No. 1 in c minor, Op. 26. . . . . . . . . Louis Spohr (1784–1859)ed. Stanley Drucker (1929–2002)I. Adagio-AllegroII. AdagioIII. Rondo. VivaceXinxian is a student of Bruce Curlette.This recital is presented in partial fulfillment of the Bachelor of Music Education degree.No flash photography, please.  Please turn off all cell phones.Program NotesSolo de concours Composed in 1899 as a competition piece for the Paris Conservatoire, Solo de concoursexemplifies the French style of clarinet writing. Messager, a prominent conductor andcomposer of operettas, crafted this piece to showcase technical brilliance and lyricalexpressiveness. The work alternates between virtuosic passages and soaring melodiclines, highlighting the clarinet's agility and tonal beauty. For students, it demonstrateskey elements of French articulation and phrasing, making it a staple in clarinet pedagogy.4 Fantasiestücke for Clarinet and Piano, Op. 43Niels Gade, a Danish composer influenced by Mendelssohn and Schumann, created hisFantasiestücke in 1864. These character pieces blend Romantic lyricism withlighthearted charm. The Andantino con moto features a singing melody over a flowingaccompaniment, showcasing the clarinet's vocal qualities, while the Allegro molto vivaceis a lively, playful finale that requires precise articulation and rhythmic accuracy. Thesepieces are often studied for their emphasis on dynamic contrast and stylistic nuance.Hommage à Manuel de Falla  Hungarian clarinetist and composer Béla Kovács wrote Hommage à Manuel de Falla aspart of a series paying tribute to influential composers. This unaccompanied piece drawson Spanish folk elements and the rhythmic vitality of de Falla's music. It demands a widerange of expressive techniques, including rapid articulations, dynamic shifts, andintricate phrasing. For clarinetists, this work serves as both a technical challenge and anopportunity to explore diverse musical styles, making it a valuable addition to recitalprograms and teaching repertoire.Clarinet Concerto No. 1 in c minor, Op. 26 Louis Spohr's Clarinet Concerto No. 1 is one of the cornerstones of the Romantic clarinetrepertoire. Written in 1808 for virtuoso Johann Simon Hermstedt, this concertocombines dramatic intensity with lyrical beauty. The first movement, Adagio-Allegro,opens with a stately introduction leading to a fiery and dramatic Allegro. The secondmovement, Adagio, showcases the clarinet’s expressive capabilities through a poignantand flowing melody. The final Rondo is spirited and technically demanding, requiringdexterity and precision. This concerto is a critical piece in the education of clarinetists,offering insights into Romantic phrasing, technical facility, and expressive depth.

Xinxian Anna He Sauder, Senior Clarinet Recital

Pimpo, Mackenzie

Cedarville University CedarCommons Junior and Senior Recitals Concert and Recital Programs 3-16-2025 Mackenzie Pimpo, Junior Piano Recital Mackenzie Pimpo Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/junior_and_senior_recitals  Part of the Music Performance Commons Recommended Citation Pimpo, Mackenzie, "Mackenzie Pimpo, Junior Piano Recital" (2025). Junior and Senior Recitals. 404. https://digitalcommons.cedarville.edu/junior_and_senior_recitals/404 This Program is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Junior and Senior Recitals by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. Keyboard Sonata in D Major, Op. 2, No.1. . . . .Baldassare Galuppi (1706–1785)  I. AdagioII. Allegro assai Piano Sonata in e minor, Hob. XVI:34. . . . . . .Franz Joseph Haydn (1732–1809)I. PrestoII. AdagioIII. Finale. Molto vivace Bilder aus Osten, Op. 66 . . . . . . . . . . . . . . . . . . . . . Robert Schumann (1810–1856)V. LebhaftVI. Reuig andächtigAssisted by Sarah Funkhouser, piano Morceaux de fantaisie, Op. 3 . . . . . . . . . . . . . . Sergei Rachmaninoff (1873–1943)I. Elégie Pastorale on a Hungarian Christmas Song . . . . . . .Ernő Dohnányi (1877–1960)Mackenzie is a student of John Mortensen The Bolthouse Center for Music                                                                                   No flash photographyRecital Hall Please turn off all cell phonesKeyboard Sonata in D Major, Op. 2, No.1. . . .Baldassare Galuppi (1706–1785)  I. AdagioII. Allegro assai Piano Sonata in e minor, Hob. XVI:34. . . . . .Franz Joseph Haydn (1732–1809)I. PrestoII. AdagioIII. Finale. Molto vivace Bilder aus Osten, Op. 66 . . . . . . . . . . . . . . . . . . . . Robert Schumann (1810–1856)V. LebhaftVI. Reuig andächtigAssisted by Sarah Funkhouser, piano Morceaux de fantaisie, Op. 3 . . . . . . . . . . . . . Sergei Rachmaninoff (1873–1943)I. Elégie Pastorale on a Hungarian Christmas Song . . . . . .Ernő Dohnányi (1877–1960)Mackenzie is a student of John Mortensen The Bolthouse Center for Music                                                                                   No flash photographyRecital Hall Please turn off all cell phonesKeyboard Sonata in D Major, Op. 2, No.1. . . . .Baldassare Galuppi (1706–1785)  I. AdagioII. Allegro assai Piano Sonata in e minor, Hob. XVI:34. . . . . . .Franz Joseph Haydn (1732–1809)I. PrestoII. AdagioIII. Finale. Molto vivace Bilder aus Osten, Op. 66 . . . . . . . . . . . . . . . . . . . . . Robert Schumann (1810–1856)V. LebhaftVI. Reuig andächtigAssisted by Sarah Funkhouser, piano Morceaux de fantaisie, Op. 3 . . . . . . . . . . . . . . Sergei Rachmaninoff (1873–1943)I. Elégie Pastorale on a Hungarian Christmas Song . . . . . . .Ernő Dohnányi (1877–1960)Mackenzie is a student of John Mortensen The Bolthouse Center for Music                                                                                   No flash photographyRecital Hall Please turn off all cell phonesKeyboard Sonata in D Major, Op. 2, No.1. . . .Baldassare Galuppi (1706–1785)  I. AdagioII. Allegro assai Piano Sonata in e minor, Hob. XVI:34. . . . . .Franz Joseph Haydn (1732–1809)I. PrestoII. AdagioIII. Finale. Molto vivace Bilder aus Osten, Op. 66 . . . . . . . . . . . . . . . . . . . . Robert Schumann (1810–1856)V. LebhaftVI. Reuig andächtigAssisted by Sarah Funkhouser, piano Morceaux de fantaisie, Op. 3 . . . . . . . . . . . . . Sergei Rachmaninoff (1873–1943)I. Elégie Pastorale on a Hungarian Christmas Song . . . . . .Ernő Dohnányi (1877–1960)Mackenzie is a student of John Mortensen The Bolthouse Center for Music                                                                                   No flash photographyRecital Hall Please turn off all cell phones

Mackenzie Pimpo, Junior Piano Recital

McKay, Soraya

Cedarville University CedarCommons Junior and Senior Recitals Concert and Recital Programs 3-29-2025 Soraya McKay, Soprano, Junior Voice Recital Soraya McKay Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/junior_and_senior_recitals  Part of the Music Performance Commons Recommended Citation McKay, Soraya, "Soraya McKay, Soprano, Junior Voice Recital" (2025). Junior and Senior Recitals. 409. https://digitalcommons.cedarville.edu/junior_and_senior_recitals/409 This Program is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Junior and Senior Recitals by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. Let us wander beneath the moon, choosingflower by flower;each crown of petals, in its heart, brings itsgood fortune.With the lilies and the violets, let us writesecret names;from our enchanted hands may wordsblossom.Words illuminated by pure silver and gold...magic incantations and charms.The Fairies have, for alphabet letters, flowers.Translated by Jennifer Silberberghttps://www.wolftrap.org/-/media/files/pdf/untrapped/falstaff-translation.pdf?la=en&hash=19396B3ECB8095802299FD0084CD043370BA8419IA Cycle of Three Mystical Songs. . . . . . . . . . . . . . . . . . . . . . . . . Alec Rowley (1892–1958)2. The ProphecyPaysage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reynaldo Hahn (1874–1947)Chanson triste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Henri Duparc (1848–1933)IIMörike-Lieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hugo Wolf (1860–1903)18. Zitronenfalter im AprilEichendorff-Lieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hugo Wolf7. Die ZigeunerinIIISul fil d’un soffio etesio from FALSTAFF . . . . . . . . . . . . . Giuseppe Verdi (1813–1901)IVNothing Short of Wonderful from DOGFIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Benj Pasek (b. 1985) and Justin Paul (b. 1985)Still Hurting from THE LAST FIVE YEARS . . . . . . . . . . Jason Robert Brown (b. 1970)assisted by Christopher Staufer and Savannah Atkins, celloVanilla Ice Cream from SHE LOVES ME . . . . . . . . . . . . . . . . . . Jerry Bock (1928–2010) Soraya is a student of Beth Cram Porter.This recital is presented in partial fulfillment of the Bachelor of Arts in music degree.  No flash photography please.  Please turn off all cell phones.Translations Brimstone Butterfly in AprilMerciless spring sun,you wake me before my time,for only in blissful Maycan my delicate food grow!If there’s no dear girl hereto offer me a drop of honeyfrom her rosy lips,then I must perish miserablyand May shall never see mein my yellow dress.Translation by Richard Stokeshttps://oxfordsong.org/song/zitronenfalter-im-aprilThe GypsiesAt the crossroads I listen, when the starsand fires in the wood have faded,and where, afar, the first dog barks,from there my bridegroom will come.La, la, la, la.“And at dawn, through the copse,I saw a cat slinking,I fired a shot at her nut-brown coar,how that made her jump –Ha, ha, ha, ha ha!”A shame about the coat, you won’t catch me!My sweetheart must be like the others:Swarthy, with a beard of Hungarian trim,And a happy heart for wanderingLa, la, la la.Translation by Richard Stokeshttps://oxfordsong.org/song/die-zigeunerinLandscapeTwo steps from the sea that one hearsrumbling,In the land of Brittany, I know of a forgottenspotWhere I would so love, in autumn days,To take you, my dear!Some oaks surrounding a fountain,A few scattered beech trees, an old abandonedmill,A well whose lively waters reflectThe green of your siren's eyes.Each morning, the chickadee among the yellowfoliage Would come to sing for us, and the sea, night andday,Would accompany our loving caressesWith infinite bass!Translation by the LiederNet Archivehttps://www.lieder.net/lieder/get_text.html?TextId=15716Song of SadnessMoonlight slumbers in your heart,A gentle summer moonlight,And to escape the cares of lifeI shall drown myself in your light.I shall forget past sorrows,My sweet, when you cradleMy sad heart and my thoughtsIn the loving calm of your arms.You will rest my poor head,Ah! sometimes on your lap,And recite to it a balladThat will seem to speak of us;And from your eyes full of sorrow,From your eyes I shall then drinkSo many kisses and so much loveThat perhaps I shall be healed.Translation by Richard Stokeshttps://oxfordsong.org/song/chanson-tristeOn The Edge of an Etesian Breath  On the breath of an etesian breezescurry, agile shadows, among the branches a bluish-grey glow of the rising moon has appeared.Dance! And may the gentle stepsmeasure a gentle sound,combining the magical dances with the song.Continued on backIA Cycle of Three Mystical Songs. . . . . . . . . . . . . . . . . . . . . . . . . Alec Rowley (1892–1958)2. The ProphecyPaysage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Reynaldo Hahn (1874–1947)Chanson triste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Henri Duparc (1848–1933)IIMörike-Lieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hugo Wolf (1860–1903)18. Zitronenfalter im AprilEichendorff-Lieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hugo Wolf7. Die ZigeunerinIIISul fil d’un soffio etesio from FALSTAFF . . . . . . . . . . . . . Giuseppe Verdi (1813–1901)IVNothing Short of Wonderful from DOGFIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Benj Pasek (b. 1985) and Justin Paul (b. 1985)Still Hurting from THE LAST FIVE YEARS . . . . . . . . . . Jason Robert Brown (b. 1970)assisted by Christopher Staufer and Savannah Atkins, celloVanilla Ice Cream from SHE LOVES ME . . . . . . . . . . . . . . . . . . Jerry Bock (1928–2010) Soraya is a student of Beth Cram Porter.This recital is presented in partial fulfillment of the Bachelor of Arts in music degree.  No flash photography please.  Please turn off all cell phones.Translations Brimstone Butterfly in AprilMerciless spring sun,you wake me before my time,for only in blissful Maycan my delicate food grow!If there’s no dear girl hereto offer me a drop of honeyfrom her rosy lips,then I must perish miserablyand May shall never see mein my yellow dress.Translation by Richard Stokeshttps://oxfordsong.org/song/zitronenfalter-im-aprilThe GypsiesAt the crossroads I listen, when the starsand fires in the wood have faded,and where, afar, the first dog barks,from there my bridegroom will come.La, la, la, la.“And at dawn, through the copse,I saw a cat slinking,I fired a shot at her nut-brown coar,how that made her jump –Ha, ha, ha, ha ha!”A shame about the coat, you won’t catch me!My sweetheart must be like the others:Swarthy, with a beard of Hungarian trim,And a happy heart for wanderingLa, la, la la.Translation by Richard Stokeshttps://oxfordsong.org/song/die-zigeunerinLandscapeTwo steps from the sea that one hearsrumbling,In the land of Brittany, I know of a forgottenspotWhere I would so love, in autumn days,To take you, my dear!Some oaks surrounding a fountain,A few scattered beech trees, an old abandonedmill,A well whose lively waters reflectThe green of your siren's eyes.Each morning, the chickadee among the yellowfoliage Would come to sing for us, and the sea, night andday,Would accompany our loving caressesWith infinite bass!Translation by the LiederNet Archivehttps://www.lieder.net/lieder/get_text.html?TextId=15716Song of SadnessMoonlight slumbers in your heart,A gentle summer moonlight,And to escape the cares of lifeI shall drown myself in your light.I shall forget past sorrows,My sweet, when you cradleMy sad heart and my thoughtsIn the loving calm of your arms.You will rest my poor head,Ah! sometimes on your lap,And recite to it a balladThat will seem to speak of us;And from your eyes full of sorrow,From your eyes I shall then drinkSo many kisses and so much loveThat perhaps I shall be healed.Translation by Richard Stokeshttps://oxfordsong.org/song/chanson-tristeOn The Edge of an Etesian Breath  On the breath of an etesian breezescurry, agile shadows, among the branches a bluish-grey glow of the rising moon has appeared.Dance! And may the gentle stepsmeasure a gentle sound,combining the magical dances with the song.Continued on backLet us wander beneath the moon, choosingflower by flower;each crown of petals, in its heart, brings itsgood fortune.With the lilies and the violets, let us writesecret names;from our enchanted hands may wordsblossom.Words illuminated by pure silver and gold...magic incantations and charms.The Fairies have, for alphabet letters, flowers.Translated by Jennifer Silberberghttps://www.wolftrap.org/-/media/files/pdf/untrapped/falstaff-translation.pdf?la=en&hash=19396B3ECB8095802299FD0084CD043370BA8419

Soraya McKay, Soprano, Junior Voice Recital

Cedarville University CedarCommons Men's Golf Schedules Golf Spring 2025 2024-2025 Men's Golf Schedule Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/mens_golf_schedules  Part of the Higher Education Commons, and the Sports Studies Commons Recommended Citation Cedarville University, "2024-2025 Men's Golf Schedule" (2025). Men's Golf Schedules. 70. https://digitalcommons.cedarville.edu/mens_golf_schedules/70 This Schedule is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Men's Golf Schedules by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. 2024-25 Men's Golf ScheduleCedarville University AthleticsAll Starting Times EasternDate Time At Opponent Location TV Radio ResultSeptember 9, 2024(Monday)8:30 AM Neutral Malone Fall Invitational Canton, OH (Glenmoor Country Club) tie 9th of12September 16, 2024(Monday)9:20 AM Neutral Hillsdale Invitational Plymouth, MI (St. John's Resort - TheCardinal)8th of 10October 7, 2024(Monday)8:30 AM Neutral Tiffin Memorial Tiffin, OH (Mohawk Country Club) tie 6th of10October 14, 2024(Monday)9:00 AM Neutral Findlay Fall Invite Findlay, OH (Findlay Country Club) 16th of 17October 21, 2024(Monday)7:45 AM Neutral NCCAA Championship Palm Coast, FL (Hammock BeachResort)4th of 9February 17, 2025(Monday)11:00AMNeutral Emmanuel Memorial Hartwell, GA (Cateechee Golf Club) 5th of 12March 7, 2025 (Friday) 7:30 AM Neutral D&E Battle atBrunswickCalabash, NC (Brunswick Plantation) tie 3rd of12March 31, 2025 (Monday) 9:00 AM Neutral Music City Invitational Old Hickory, TN (Hermitage Golf Course 15th of 16April 14, 2025 (Monday) 8:30 AM Neutral Kampen-CoslerInvitationalWest Lafayette, IN (Kampen-Cosler GolfCourse)tie 5th of11April 21, 2025 (Monday) 7:30 AM Neutral G-MAC Championship Florence, IN (Belterra Golf Club) 10th of 11Copyright © 2025 Cedarville University Athletics5/13/25, 10:46 AM 2024-25 Men's Golf Schedule - Cedarville University Athleticshttps://yellowjackets.cedarville.edu/sports/mens-golf/schedule?print=true 1/1

2024-2025 Men\u27s Golf Schedule

Cedarville University CedarCommons Ensemble Concerts Concert and Recital Programs 2-16-2025 Opera Ensemble: Opera Intermezzo Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/ensemble_concerts  Part of the Music Performance Commons Recommended Citation Cedarville University, "Opera Ensemble: Opera Intermezzo" (2025). Ensemble Concerts. 253. https://digitalcommons.cedarville.edu/ensemble_concerts/253 This Program is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Ensemble Concerts by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu.  The Department of Music and Worship at Cedarville University is accredited bythe National Association of Schools of Music and purposes to help develop anappreciation and understanding of music and art consistent with a biblical worldview. The department seeks to help students gain an understanding of theresponsibility of stewardship, service, and worship that is placed upon those towhom God has given artistic talents. The department offers Bachelor of Musicdegrees in Keyboard Pedagogy, Music Composition, Performance, Music Education(B.M.E.) - Choral or Instrumental, a Bachelor of Arts degree in Music, and a Bachelorof Arts degree in Worship.Performance opportunities open to all Cedarville University students includeConcert Chorale, Women’s Choir, Jubilate, Wind Symphony, Jazz Band, Orchestra,and Pep Band.For more information on Cedarville University, contact:Department of Music and Worship Office of AdmissionsCedarville University 251 N. Main St.251 N. Main St. Cedarville, OH 45314Cedarville, OH 45314 1-800-CEDARVILLEtel: (937) 766-7728   FAX: (937) 766-7661 www.cedarville.eduwww.cedarville.edu/academics/music-and-worshipemail: musicandworship@cedarville.eduComing Events:February 17, 2025 - 12:00 pm -  Recital Hall - Bach’s Lunch ConcertFebruary 21, 2025 - 7:00 pm - Recital Hall - Faculty Recital: Lou LiliteMarch 14, 2025 - 12:00 pm -  Recital Hall - Bach’s Lunch ConcertMarch 22, 2025 - 7:00 pm - Jeremiah Chapel - Masterworks ConcertApril 1, 2025- 7:00 pm - Recital Hall - Madrigal ConcertApril 8, 2025 - 7:00 pm - Recital Hall - Faculty Recital: Chet JenkinsApril 11, 2025 - 7:00 pm - Recital Hall -Women’s Choir ConcertApril 14, 2025 - 7:00 pm - Recital Hall - Concert Chorale ConcertApril 25, 2025 - 7:00 pm - DeVries Theater - Jazz Band ConcertApril 27, 2025 - 3:00 pm - DeVries Theater - Orchestra Concerto ConcertApril 28, 2025 - 7:00 pm - DeVries Theater - Wind Symphony Concert Act I: OpulenceNon so più cosa son from LE NOZZE DI FIGARO, K. 492 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .W. A. Mozart (1756–1791)Gabriella Lurtz, mezzo-soprano Porgi, amor from LE NOZZE DI FIGARO, K. 492 . . . . . . . . . . . . . . . . .W. A. MozartCarol Rathbun, sopranoUna donna a quindici anni from COSÌ FAN TUTTE, K. 588. . . . . . . W. A. MozartEvvy Kenniv, sopranoDurch Zärtlichkeit und Schmeicheln from DIE ENTFÜHRUNG AUS DEMSERAIL, K. 384. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. MozartSavannah Robinson, sopranoMasetto, senti un po’... Batti, batti, o bel Masetto from DON GIOVANNI, K. 527. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. MozartBrooke Bauman, sopranoAh! Je veux vivre from ROMÉO ET JULIETTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Charles Gounod (1818–1893)Caroline Canning, sopranoAct II: PovertyCome Ready and See Me from EIGHT SONGS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Hundley (1931–2018)Kierstin Thomas, sopranoHello! Oh, Margaret, It’s You from THE TELEPHONE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gian Carlo Menotti (1911–2007)Sonia Washburn, sopranoHere I Stand…Since It Is Not by Merit from THE RAKE’S PROGRESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Igor Stravinsky (1882–1971)A. J. Higgins, tenorSteal Me, Sweet Thief from THE OLD MAID AND THE THIEF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gian Carlo MenottiPiper Dee, sopranoLonely House from STREET SCENE . . . . . . . . . . . . . . . . . .Kurt Weill (1900–1950)Nathan Duty, tenorSì. Mi chiamano Mimì from LA BOHÈME . . . . . . Giacomo Puccini (1858–1924)Grace Pollock, sopranoAct III: FantasyThe Black Swan from THE MEDIUM . . . . . . . . . . . . . . . . . . . . . . Gian Carlo MenottiRebecca Akè, sopranoDaybreak Will Come in Such Short Time from THE TENDER LAND. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Copland (1900–1990)Carter Foerch, tenorPer pietà bell’idol mio from COMPOSIZIONE DA CAMERA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Vincenzo Bellini (1801–1835)Carlie Shellem, mezzo-sopranoI Am a Man of Widespread Fame from THE MAGIC FLUTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. Mozart Jaden Kruse, baritoneDie zigeunerin from EICHENDORFF-LIEDER . . . . . . . .Hugo Wolf (1860–1903)Soraya McKay, sopranoI Am the Very Model from THE PIRATES OF PENZANCE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Arthur Sullivan (1842–1900)James Schenck, bassOpera EnsembleRebecca AkèBrooke BaumanCaroline CanningPiper DeeNathan DutyCarter FoerchA. J. HigginsEvvy KennivJaden KruseGabriella Lurtz Soraya McKayGrace PollockCarol RathbunSavannah RobinsonJames SchenckCarlie ShellemKierstin ThomasSonia WashburnDirector’s Notes: Thank you for joining us this evening. Two items of note must be addressedregarding A Night at the Opera: Opera Intermezzo. The first fact is that not every selectionpresented this evening is extracted from an opera. Nonetheless, the selected arias and songsare fully staged to empower each performer in the art of storytelling. As is customary withopera, the audience is welcomed to applaud at the end of each aria/song. The second fact isthat, although the pieces are from different works, this program is intended to run in threeacts, linking arias and songs together according to the three themes opulence, poverty, andfantasy. When the veil of opulence blinds unwise or at-ease individuals, lack or poverty is notfar behind; it is true, in this show, the actors move to the world of fantasy but it is no lessemblematic of hope—the flame that dares humanity to yearn and wait for true morning,genuine day, the place where tomorrow never dies.No flash photography, please.                                  Please turn off all cell phones.Act I: OpulenceNon so più cosa son from LE NOZZE DI FIGARO, K. 492 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .W. A. Mozart (1756–1791)Gabriella Lurtz, mezzo-soprano Porgi, amor from LE NOZZE DI FIGARO, K. 492 . . . . . . . . . . . . . . . . .W. A. MozartCarol Rathbun, sopranoUna donna a quindici anni from COSÌ FAN TUTTE, K. 588. . . . . . . W. A. MozartEvvy Kenniv, sopranoDurch Zärtlichkeit und Schmeicheln from DIE ENTFÜHRUNG AUS DEMSERAIL, K. 384. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. MozartSavannah Robinson, sopranoMasetto, senti un po’... Batti, batti, o bel Masetto from DON GIOVANNI, K. 527. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. MozartBrooke Bauman, sopranoAh! Je veux vivre from ROMÉO ET JULIETTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Charles Gounod (1818–1893)Caroline Canning, sopranoAct II: PovertyCome Ready and See Me from EIGHT SONGS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Hundley (1931–2018)Kierstin Thomas, sopranoHello! Oh, Margaret, It’s You from THE TELEPHONE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gian Carlo Menotti (1911–2007)Sonia Washburn, sopranoHere I Stand…Since It Is Not by Merit from THE RAKE’S PROGRESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Igor Stravinsky (1882–1971)A. J. Higgins, tenorSteal Me, Sweet Thief from THE OLD MAID AND THE THIEF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gian Carlo MenottiPiper Dee, sopranoLonely House from STREET SCENE . . . . . . . . . . . . . . . . . .Kurt Weill (1900–1950)Nathan Duty, tenorSì. Mi chiamano Mimì from LA BOHÈME . . . . . . Giacomo Puccini (1858–1924)Grace Pollock, sopranoAct III: FantasyThe Black Swan from THE MEDIUM . . . . . . . . . . . . . . . . . . . . . . Gian Carlo MenottiRebecca Akè, sopranoDaybreak Will Come in Such Short Time from THE TENDER LAND. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Copland (1900–1990)Carter Foerch, tenorPer pietà bell’idol mio from COMPOSIZIONE DA CAMERA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Vincenzo Bellini (1801–1835)Carlie Shellem, mezzo-sopranoI Am a Man of Widespread Fame from THE MAGIC FLUTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. A. Mozart Jaden Kruse, baritoneDie zigeunerin from EICHENDORFF-LIEDER . . . . . . . .Hugo Wolf (1860–1903)Soraya McKay, sopranoI Am the Very Model from THE PIRATES OF PENZANCE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Arthur Sullivan (1842–1900)James Schenck, bassOpera EnsembleRebecca AkèBrooke BaumanCaroline CanningPiper DeeNathan DutyCarter FoerchA. J. HigginsEvvy KennivJaden KruseGabriella Lurtz Soraya McKayGrace PollockCarol RathbunSavannah RobinsonJames SchenckCarlie ShellemKierstin ThomasSonia WashburnDirector’s Notes: Thank you for joining us this evening. Two items of note must be addressedregarding A Night at the Opera: Opera Intermezzo. The first fact is that not every selectionpresented this evening is extracted from an opera. Nonetheless, the selected arias and songsare fully staged to empower each performer in the art of storytelling. As is customary withopera, the audience is welcomed to applaud at the end of each aria/song. The second fact isthat, although the pieces are from different works, this program is intended to run in threeacts, linking arias and songs together according to the three themes opulence, poverty, andfantasy. When the veil of opulence blinds unwise or at-ease individuals, lack or poverty is notfar behind; it is true, in this show, the actors move to the world of fantasy but it is no lessemblematic of hope—the flame that dares humanity to yearn and wait for true morning,genuine day, the place where tomorrow never dies.No flash photography, please.                                  Please turn off all cell phones. The Department of Music and Worship at Cedarville University is accredited bythe National Association of Schools of Music and purposes to help develop anappreciation and understanding of music and art consistent with a biblical worldview. The department seeks to help students gain an understanding of theresponsibility of stewardship, service, and worship that is placed upon those towhom God has given artistic talents. The department offers Bachelor of Musicdegrees in Keyboard Pedagogy, Music Composition, Performance, Music Education(B.M.E.) - Choral or Instrumental, a Bachelor of Arts degree in Music, and a Bachelorof Arts degree in Worship.Performance opportunities open to all Cedarville University students includeConcert Chorale, Women’s Choir, Jubilate, Wind Symphony, Jazz Band, Orchestra,and Pep Band.For more information on Cedarville University, contact:Department of Music and Worship Office of AdmissionsCedarville University 251 N. Main St.251 N. Main St. Cedarville, OH 45314Cedarville, OH 45314 1-800-CEDARVILLEtel: (937) 766-7728   FAX: (937) 766-7661 www.cedarville.eduwww.cedarville.edu/academics/music-and-worshipemail: musicandworship@cedarville.eduComing Events:February 17, 2025 - 12:00 pm -  Recital Hall - Bach’s Lunch ConcertFebruary 21, 2025 - 7:00 pm - Recital Hall - Faculty Recital: Lou LiliteMarch 14, 2025 - 12:00 pm -  Recital Hall - Bach’s Lunch ConcertMarch 22, 2025 - 7:00 pm - Jeremiah Chapel - Masterworks ConcertApril 1, 2025- 7:00 pm - Recital Hall - Madrigal ConcertApril 8, 2025 - 7:00 pm - Recital Hall - Faculty Recital: Chet JenkinsApril 11, 2025 - 7:00 pm - Recital Hall -Women’s Choir ConcertApril 14, 2025 - 7:00 pm - Recital Hall - Concert Chorale ConcertApril 25, 2025 - 7:00 pm - DeVries Theater - Jazz Band ConcertApril 27, 2025 - 3:00 pm - DeVries Theater - Orchestra Concerto ConcertApril 28, 2025 - 7:00 pm - DeVries Theater - Wind Symphony Concert 

Opera Ensemble: Opera Intermezzo

Cedarville University CedarCommons Ensemble Concerts Concert and Recital Programs 4-28-2025 The Cedarville University Wind Symphony Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/ensemble_concerts  Part of the Music Performance Commons Recommended Citation Cedarville University, "The Cedarville University Wind Symphony" (2025). Ensemble Concerts. 250. https://digitalcommons.cedarville.edu/ensemble_concerts/250 This Program is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Ensemble Concerts by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. The Department of Music and Worship purposes to help develop anappreciation and understanding of music and art consistent with a biblical worldview. The department seeks to help students gain an understanding of theresponsibility of stewardship, service, and worship that is placed upon those towhom God has given artistic talents. The department offers Bachelor of Musicdegrees in Keyboard Pedagogy, Music Composition, Performance, Music Education(B.M.E.) - Choral or Instrumental, a Bachelor of Arts degree in Music, and a Bachelorof Arts degree in Worship. Cedarville University is accredited by the NationalAssociation of Schools of Music.Performance opportunities open to all Cedarville University students includeConcert Chorale, Women’s Choir, Jubilate, Wind Symphony, Jazz Band, Orchestra,and Pep Band.For more information on Cedarville University, contact:Department of Music and Worship Office of AdmissionsCedarville University 251 N. Main St.251 N. Main St. Cedarville, OH 45314Cedarville, OH 45314 1-800-CEDARVILLEtel: (937) 766-7728   FAX: (937) 766-7661 www.cedarville.eduwww.cedarville.edu/academics/music-and-worshipemail: musicandworship@cedarville.eduStar Wars Trilogy. . . . . . . . . . . . . . . . . . . . . . . . . . . . John Williams (b. 1932)arr. Donald Hunsberger (1932–2023)I. The Imperial MarchII. Princess Leia’s ThemeIII. Star Wars (Main Theme)Deciduous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Viet Cuong (b. 1990)  Rising Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Charoensri (b. 2003)Lincolnshire Posy . . . . . . . . . . . . . . . . . . . . . . . Percy Grainger (1882–1961)I. Lisbon (Sailor’s Song)II. Horkstow Grange (The Miser and His Man: A LocalTragedy)III. Rufford Park Poachers (Poaching Song)IV. The Brisk Young Sailor (Returned to Wed His True Love)V. Lord Melbourne (War Song)VI. The Lost Lady Found (Dance Song) Cedarville University Wind Symphony 2024-2025Chet Jenkins, ConductorPiccoloEmma ColemanFluteBrooke BaumanEliana BoernerJohanna Brunsberg *Abigail FosterBlayne HannonTaylor Meeuwsen Sarah PierceJulianna StauferClarinetMicah AustinBrooklyn BarkerThomas Bonifield *Marshall BurgerCaitlyn CruikshankGabrielle NuaraGracie LindmarkAmbur OrowitzAbigail ShedlockJacob WilliBass ClarinetJason de MetsJoshua PantanganOboeDaniel HallSydney AmrineBassoonAnna Jender *Josiah MulliganContra bassoonRich Carnright +Alto SaxophoneJonny SharrockNathan DutyAnthony BalfourTenor SaxophoneRuston Kinion *Baritone SaxophoneAustin MinarichTrumpetDavid Botkin *Holly CampbellSamuel ChurchEric ClementGrant CrissBrendan ColleyIsaac DillonAndrew KasunickBradyn MillerElijah PaytonConnor SmithHornJayda ArcherOlivia BangeAnna Mae CarmanOlivia DavittLucas HarshfieldJonathan JarchowCaleb Staten*Sean WalterTromboneSeth BrownMatthew BurgessCaleb GrieveNathan KarnAbigail Nelson *Eli NordRyan RiepmaWilliam StoneEuphoniumGilbert ColeTrey CrossRyan NaillTubaHarmonie HelmuthSam MendelHans Marlet +Brady SchickNicolas SiglerPianoEmma KeysorHarpOlivia PerschbacherChloe HammondDouble BassGrant Brown +PercussionIsaac Burke *Roman KlingerAbigail LaFleurTrent MitchellAudrey MohrDavid PadillaAlyssa RaynerCaleb Warburton* Section Leader+ Community MemberStar Wars Trilogy. . . . . . . . . . . . . . . . . . . . . . . . . . . . John Williams (b. 1932)arr. Donald Hunsberger (1932–2023)I. The Imperial MarchII. Princess Leia’s ThemeIII. Star Wars (Main Theme)Deciduous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Viet Cuong (b. 1990)  Rising Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Charoensri (b. 2003)Lincolnshire Posy . . . . . . . . . . . . . . . . . . . . . . . Percy Grainger (1882–1961)I. Lisbon (Sailor’s Song)II. Horkstow Grange (The Miser and His Man: A LocalTragedy)III. Rufford Park Poachers (Poaching Song)IV. The Brisk Young Sailor (Returned to Wed His True Love)V. Lord Melbourne (War Song)VI. The Lost Lady Found (Dance Song) Cedarville University Wind Symphony 2024-2025Chet Jenkins, ConductorPiccoloEmma ColemanFluteBrooke BaumanEliana BoernerJohanna Brunsberg *Abigail FosterBlayne HannonTaylor Meeuwsen Sarah PierceJulianna StauferClarinetMicah AustinBrooklyn BarkerThomas Bonifield *Marshall BurgerCaitlyn CruikshankGabrielle NuaraGracie LindmarkAmbur OrowitzAbigail ShedlockJacob WilliBass ClarinetJason de MetsJoshua PantanganOboeDaniel HallSydney AmrineBassoonAnna Jender *Josiah MulliganContra bassoonRich Carnright +Alto SaxophoneJonny SharrockNathan DutyAnthony BalfourTenor SaxophoneRuston Kinion *Baritone SaxophoneAustin MinarichTrumpetDavid Botkin *Holly CampbellSamuel ChurchEric ClementGrant CrissBrendan ColleyIsaac DillonAndrew KasunickBradyn MillerElijah PaytonConnor SmithHornJayda ArcherOlivia BangeAnna Mae CarmanOlivia DavittLucas HarshfieldJonathan JarchowCaleb Staten*Sean WalterTromboneSeth BrownMatthew BurgessCaleb GrieveNathan KarnAbigail Nelson *Eli NordRyan RiepmaWilliam StoneEuphoniumGilbert ColeTrey CrossRyan NaillTubaHarmonie HelmuthSam MendelHans Marlet +Brady SchickNicolas SiglerPianoEmma KeysorHarpOlivia PerschbacherChloe HammondDouble BassGrant Brown +PercussionIsaac Burke *Roman KlingerAbigail LaFleurTrent MitchellAudrey MohrDavid PadillaAlyssa RaynerCaleb Warburton* Section Leader+ Community MemberThe Department of Music and Worship purposes to help develop anappreciation and understanding of music and art consistent with a biblical worldview. The department seeks to help students gain an understanding of theresponsibility of stewardship, service, and worship that is placed upon those towhom God has given artistic talents. The department offers Bachelor of Musicdegrees in Keyboard Pedagogy, Music Composition, Performance, Music Education(B.M.E.) - Choral or Instrumental, a Bachelor of Arts degree in Music, and a Bachelorof Arts degree in Worship. Cedarville University is accredited by the NationalAssociation of Schools of Music.Performance opportunities open to all Cedarville University students includeConcert Chorale, Women’s Choir, Jubilate, Wind Symphony, Jazz Band, Orchestra,and Pep Band.For more information on Cedarville University, contact:Department of Music and Worship Office of AdmissionsCedarville University 251 N. Main St.251 N. Main St. Cedarville, OH 45314Cedarville, OH 45314 1-800-CEDARVILLEtel: (937) 766-7728   FAX: (937) 766-7661 www.cedarville.eduwww.cedarville.edu/academics/music-and-worshipemail: musicandworship@cedarville.edu

The Cedarville University Wind Symphony

Author\u27s Roadmap  CedrusPress\u27 trifold brochure promoting faculty book and textbook open-access publishing services offered by Digital Services

Cedarville University CedarCommons Documents CedarCommons Repository 3-2025 Cedrus Press Author Roadmap Brochure (trifold) Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/digital_commons_documents  Part of the Higher Education Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Recommended Citation Cedarville University, "Cedrus Press Author Roadmap Brochure (trifold)" (2025). Documents. 35. https://digitalcommons.cedarville.edu/digital_commons_documents/35 This Brochure is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Documents by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. Why PublishOpen Access (OA)?Kathy CarnegisDigital ServicesDirectorTricia ClarkDigital ServicesSpecialistAlayna DrollingerDigital ServicesAssistantmore downloads!50%7x10xOA books receive... DIRECTProposalsupportPublishingschedule Print layout ISBNs &BarcodesCU bookstoreliaisonPrint-on-demandPreservationOurServices Dr. Justin LyonsProfessor of Political ScienceMEET OURPUBLISHING TEAM*Emery, Christina, et al. “The OA Effect: How DoesOpen Access Affect the Usage of Scholarly Books?”The OA Effect - White Paper | Springer Nature,Springer Nature, 7 Nov. 2017,https://www.springernature.com/gp/open-research/journals-books/books/the-oa-effect.REFERCourseconsultationCopyright &LicensingGraphicdesignersProofreadersEditorsCanvasintegrationIN COLLABORATIONWITHFACULTYENDORSEMENTthan non-OA books,offering "a promising outlookfor authors who have chosen topublish through open access." *"Everyone who works there ishelpful, kind, and responsive. Theediting, layout, and productionwere all handled professionally andpromptly. We completed theproject far more quickly than Iexpected, and I am very pleasedwith the result." more online mentions!more citationsRev 3/25 afdFACULTYPUBLISHINGAT CEDARVILLE:dc@cedarville.edu937.766.7847LIB 038Cedrus Press is the digital and print-on-demand publishingservice provided by Digital Services and the CentennialLibrary. Digital Services also maintains CedarCommons,Cedarville University’s institutional repository and digitalarchives, and CedarScholar, the faculty profile site whichshowcases faculty scholarship and creative works.CedrusPress’ mission is to provide an innovative way forauthors to promote and disseminate their research bypublishing both academic and non-academic works byscholars affiliated with Cedarville University.The Cedrus Press imprint encourages CedarvilleUniversity’s active engagement in the field of scholarlycommunications. CONTACT USFor more information, visithttps://digitalcommons.cedarville.edu/cedrus_press_about/2A PUBLISHING SERVICE PROVIDED BYDIGITAL SERVICESAFFILIATED WITHCENTENNIAL LIBRARY5Your turn!Write, compile,arrange, and completeyour manuscript.Check in with us forany referrals andresources you need.LAUNCHLet's collaborate!We'll facilitateuniversity approvals,project timelines, anda publishingagreement. CREATE3POLISHOur turn!We'll facilitate the booklayout, formatting, and finalreview, as well as loop CTLin for Canvas integration.4PUBLISHAlmost there!We'll assign ISBNs, barcodes,and coordinate with the CUbookstore on pricing and delivery.CEDRUS PRESSPUBLISHING ROADMAPPROPOSEHave an idea for a book? Let's chat!Ask for our Faculty Book Proposalforms to communicate yourvision. CTL will join in fortextbook conversations.1Center for Teaching and LearningCEDRUS PRESSYOUR AUTHORROADMAP!

Cedrus Press Author Roadmap Brochure (trifold)

Cedarville University CedarCommons Men's Track & Field Schedules Men's Track & Field (1996-Current) Spring 2025 2024-2025 Men's Track & Field Schedule Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/mens_track_and_field_schedules  Part of the Higher Education Commons, and the Sports Studies Commons Recommended Citation Cedarville University, "2024-2025 Men's Track & Field Schedule" (2025). Men's Track & Field Schedules. 35. https://digitalcommons.cedarville.edu/mens_track_and_field_schedules/35 This Schedule is brought to you for free and open access by CedarCommons, a service of the Centennial Library. It has been accepted for inclusion in Men's Track & Field Schedules by an authorized administrator of CedarCommons. For more information, please contact digitalcommons@cedarville.edu. 2025 Men's Track & Field ScheduleCedarville University AthleticsAll Starting Times EasternDate Time At Opponent Location TV Radio ResultDecember 7, 2024(Saturday)11:00AMAway Wittenberg Opener Springfield, OH Non-ScoringJanuary 17, 2025(Friday)2:00 PM Away Findlay Alumni Classic Findlay, OH 3rd of 4January 25, 2025(Saturday)10:00AMAway Ashland Invitational Ashland, OH Non-ScoringJanuary 31, 2025(Friday)3:30 PM Home Cedarville Collegiate Invite Cedarville, OH 1st of 10February 7, 2025(Friday)3:00 PM Home NCCAA IndoorChampionshipCedarville, OH 1st of 18February 14, 2025(Friday)8:30 AM Away GVSU Big Meet - Friday Allendale, MI Non-ScoringFebruary 15, 2025(Saturday)11:00AMAway Mount St. JosephInvitationalCincinnati, OH 2nd of 9February 22, 2025(Saturday)11:00AMAway Wittenberg Invitational Springfield, OH Non-ScoringFebruary 28, 2025(Friday)10:00AMAway G-MAC IndoorChampionshipAshland, OH 4th of 11March 13, 2025(Thursday)5:35 PM Away NCAA DII IndoorChampionshipIndianapolis, IN No TeamScoreMarch 29, 2025(Saturday)10:30AMHome Yellow Jacket CollegiateOpenCedarville, OH / Yellow Jacket T&FComplex2nd of 22April 4, 2025 (Friday) 9:00 AM Away Tennessee Invite Knoxville, TN Non-ScoringApril 5, 2025 (Saturday) 11:00AMAway Wilmington Invitational Wilmington, OH 2nd of 11April 11, 2025 (Friday) 9:30 AM Away Lee Invitational Cleveland, TN 3rd of 24April 18, 2025 (Friday) 11:30AMAway Otterbein Twilight Westerville, OH 3rd of 22April 26, 2025 (Saturday) 10:30AMAway Wilmington Invitational #2 Wilmington, OH 9th of 9April 30, 2025(Wednesday)11:30AMAway G-MAC OutdoorChampionshipAshland, OH 5th of 11May 7, 2025(Wednesday)11:00AMAway Hillsdale Last Chance Hillsdale, MI 22nd of 22May 9, 2025 (Friday) 2:30 PM Away Baldwin Wallace Twilight Berea, OH Non-ScoringMay 9, 2025 (Friday) 4:00 PM Away Indiana Invitational Bloomington, IN Non-ScoringMay 22, 2025 (Thursday) 12:30PMAway NCAA DII OutdoorChampionshipPueblo, CO No TeamScore5/28/25, 9:33 AM 2025 Men's Track & Field Schedule - Cedarville University Athleticshttps://yellowjackets.cedarville.edu/sports/mens-track-and-field/schedule?print=true 1/2Copyright © 2025 Cedarville University Athletics5/28/25, 9:33 AM 2025 Men's Track & Field Schedule - Cedarville University Athleticshttps://yellowjackets.cedarville.edu/sports/mens-track-and-field/schedule?print=true 2/2

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2024-2025 Women\u27s Tennis Individual Match-by-Match Statistics

Xinxian Anna He Sauder, Senior Clarinet Recital

Mackenzie Pimpo, Junior Piano Recital

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Rich Ritter selected new head coach of CU golf programs

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