Vasilenko\u2019s novel The Little Fool: between Myth and Hagiography
In this article Vasilenko\u2019s novel The Little Fool is analysed in order to highlight the ways the author created the hybrid genre of the \u201cnovel-hagiography\u201d by revisioning a series of classical, biblical and folk myths. The novel has a frame-like structure and the main character of the novel has two hypostases in two different timelines: Nad\u2019ka in the early Sixties and Ganna in the early Thirties, both in the Soviet Union. The core of the novel revisions and recreates the figure of the \u2018Fool in Christ\u2019 by assigning this role to a female protagonist, the thirteen-year-old girl Ganna. Her double Nad\u2019ka merges the figures of the archetypal Great Mother and the Mother of Christ. At the end of the novel Nad\u2019ka gives birth to a new Sun thereby saving her people from the menace of a nuclear war. This novel is a very fine example of the neo-mythological conscience which, in the late twentieth century, found expression in the works of many Russian women writers who revisioned classical and folk myths by giving agency to female characters and astutely altering the traditional plots of myth
