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考古所见汉至宋蟾蜍形器物
Authors
周杨
Publication date
15 November 2019
Publisher
Abstract
蟾蜍在中国古代文化中是一种特殊的意象。汉晋以来,受阴阳观念的影响,蟾蜍形象既是月亮的有机组成部分,同时也是月亮的另一种表现形式;这种意象在一定时期内体现古人阴阳、生死与现实观念。在考古发掘中,以蟾蜍为造型的器物屡见不鲜。特别是在六朝时期的墓葬中,蟾蜍形器物常常作为随葬品出现。然而,考古几乎不见唐代有蟾蜍形器物,直至宋代重新出现。针对这一宏观现象,本文通过对考古所见蟾蜍形器物进行长时段梳理,结合其所出墓葬及可能产地的分析,归纳出此类器物发展演变的线索以及时空分布特点。在此基础上,进一步结合对文献记载的梳理,说明蟾蜍形器物是在时人观念的影响下出现,进而成为一种特别的装饰样式而被特定的阶层所接受。正是在观念与器物装饰的反复互动中,二者相互叠加,从而形成了更为广泛的文化内涵
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Last time updated on 20/11/2020