Thesis (M.A.) University of Alaska Fairbanks, 2011As a relatively recent field within literary cultural studies, "animal studies" has the potential to ask sophisticated new questions about the central and privileged place of the humanist "cogito." Through an examination of the human-animal companionship found in the Middle English romance "Ywain and Gawain", this thesis aims to contribute to the project of animal studies by tracing how questions about humanity and animality both construct and deconstruct a subject's identity. In the poem, Ywain, a knight in Arthur's court, is exiled from society and befriends a lion, who travels and fights alongside him. The dynamics of their bond highlight a posthumanist identity which begins to articulate itself within Ywain. The fluid nature of the category "man" is further examined throughan analysis of Ywain's sojourn in the woods as a wild man, and the "what is a man" encounter which occurs at the beginning of the poem. Though normative society is reinstated at the end of the text, the study concludes that the added presence of the lion in court undermines humanism's inherently speciesist imagination and serves as a microcosm of one possible vision of a posthumanist society.Introduction: Identity construction and significant otherness -- 1. Ywain's "Leo Fidelis": animal mirror for posthumanist reflection -- 2. Adventures in construction: the giant herdsman, wild men, and Ywain's lion again -- Conclusion: The animals we study -- Works cited
