Editorial board, table of contents, and a prologue from the editor

Berger, Christian

Jirele, Jason

Migneco, Jeremy

English

Kansas State University

Oz Volume 40 Article 1 1-1-2018 Table of Contents and Prologue Christian Berger Kansas State University Jason Jirele Kansas State University Jeremy Migneco Kansas State University Follow this and additional works at: https://newprairiepress.org/oz  Part of the Architecture Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Berger, Christian; Jirele, Jason; and Migneco, Jeremy (2018) "Table of Contents and Prologue," Oz: Vol. 40. https://doi.org/10.4148/2378-5853.1571 This Front Matter is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact cads@k-state.edu. Volume 40, 2018College of Architecture, Planning, and Design Kansas State UniversityContentsEditorsChristian BergerJason JireleJeremy MignecoStaffAshley BruntonAaron ChurchKamden EkernBradley GollwitzerClaire HuffakerAlexa McCallumLarissa OshimaRudolph Prins IIISolomon RenfroWeston RothchildAnnie ReutherJiayi WangFaculty AdvisorChristopher FeinRaymond StreeterCoverDetail of Non-Sign II, Lead Pencil Studio, page 84.Oz is a nonprofit journal edited, de-signed, and produced annually by students in the Kansas State Uni-versity College of Architecture, Plan-ning, and Design. Inquiries should be addressed to:Managing Editor, Oz0103 Seaton HallManhattan, Kansas  66506-2901ISSN 0888-7802Copyright © 2018 OzPrinted by Consolidated Printing, Salina, Kansas 4 The Photos You Don’t Take, Stay with You Forever Driely S. 6 Footsteps Tom Leader 10 Addiction Larry Bell 14 Authenticity and Values Fran Silvestre 18 Sculpting Public Space Janet Echelman 24 Activating Architecture Ben van Berkel 30 Authentic Space Elizabeth Turk32 An Interview with Fuensanta Nieto Fuensanta Nieto 36 The Joys and Challenges of Stickworking Patrick Dougherty42 The Material Inquiry of Construction Lawrence Scarpa 46 Li Hui Phil Zheng Cai48 Real Fake Robert Mangurian and Mary-Ann Ray52 Building between Tides Julie Brook 58 The Case for an Authentic Growth Yen Ong62 Context from Place Peter Alexander68 Six Sites Stanley Saitowitz 76 A Tribute of 4 x 10 Meters Vanessa Beecroft 78 Communicating with the Other 99% FOOD New York 82 Do Ho Suh Sarah Newman 84 Spatial Inquiry Annie Han and Daniel MihalyoPrologueAuthenticityI fought violently for the autonomy of architecture. It’s a very passive, weak profession where people deliver a service. You want a blue door, you get a blue door. You want it to look neo-Spanish, you get neo-Spanish. Architecture with any authenticity represents resistance. Resistance is a good thing.—Thom Mayne Great artists and architects prioritize their vision above other factors, and this seems to elevate a simple idea into a powerful experience. Embedded into this type of work is the creator’s authenticity. But working this way means resisting the easy way out of a problem. It’s a continual journey to achieve what the creator believes is the best solution to the idea. For this journal, we asked:Why do you prioritize your vision and the authenticity of your work, and how do you continuously embody this into what you produce?Oz 40 is a collection of responses from artists and architects in different stages of their careers that are exploring unique ideas to identify what role authenticity has played in their work.

Table of Contents and Prologue

https://newprairiepress.org/cgi/viewcontent.cgi?article=1571&amp;context=oz

Table of Contents and Prologue

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