Idealization and Desire in the Hundred Acre Wood: A.A. Milne and Christopher (Robin)

Authors
Publication date
1 April 2010
Publisher
Digital Commons @ RIC

Abstract

Argues that A.A. Milne\u27s Winnie-the-Pooh and The House at Pooh Corner represent the conscious rejection, unconscious reproduction, and re-imaging of the author\u27s traumatic Victorian childhood

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