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Deconstruction, Construction and Reconstruction of Folk Classics: The Transition of Cultural Connotation of Green Snake from Legend, to Novel, Movie and Drama
Authors
李晓昀
Publication date
1 January 2017
Publisher
Abstract
作为中华民族四大民间传说之一,"白蛇传"的传说历经多个版本、多种体裁的传承流变,在民间仍然散发着强大的生命力,成为各种艺术形式不断进行演绎与阐释的对象。20世纪80年代,香港女作家李碧华以"白蛇传"为蓝本,却改变了以往以白蛇为中心的讲述方法,将原本处于叙事边缘的青蛇作为叙事中心,具有强烈的解构与重构意味。90年代,香港著名导演徐克将李碧华《青蛇》进一步改编,拍成同名电影,这种改编隐喻了香港社会对于自身身份定位的追问。2013年,内地女性导演田沁鑫又将《青蛇》改编成戏剧作品,在新的时代语境下对"白蛇传"这一民间经典进行了再叙述与再建构,探讨了普遍意义上的人类精神出路问题。从民间传说到李碧华小说再到徐克电影、田沁鑫戏剧,"青蛇"故事中对"情"与"理"主题的探讨不变,但人物形象及发展逻辑等逐渐发生改变,其背后隐含的社会文化内涵也不断发生着转变
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Last time updated on 10/06/2020