Bleeding Passports: The Ideology of Woman's Heart in the Fiction of Hawthorne, Freeman and Cooke

Abstract

"For its own sake, if it will do no more, the world should throw open all its avenues to the passport of a woman's bleeding heart." This is the only resolution to women's wrongs that Miles Coverdale, the narrator of Hawthorne's The Blithedale Romance, can offer. Hawthorne's ambivalent response to the ideology of woman's heart is more complex than Coverdale's but it remains fundamentally conservative, like the response of another New England writer, Rose Terry Cooke. Hawthorne and Cooke share ideological assumptions about gender subverted by Mary Wilkins Freeman, a third New England writer whose works still have not received the recognition they merit."For its own sake, if it will do no more, the world should throw open all its avenues to the passport of a woman’s bleeding heart.” Voilà la seule solution aux défauts des femmes que peut offrir Miles Coverdale, le narrateur dans le roman The Blithedale Romance de Hawthorne. La réaction ambivalente de Hawthorne à l’égard de la sentimentalité raisonnée des femmes est plus complexe que celle de Coverdale mais elle demeure essentiellement conservatrice, tout comme celle de Rose Terry Cooke, une autre auteure de la Nouvelle-Angleterre. En fait, Hawthorne et Cooke partagent les mêmes suppositions que réfute une troisième auteure de la Nouvelle-Angleterre, Mary Wilkins, dont l’oeuvre n'a toujours pas reçu la reconnaissance qu’elle mérite

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