Superintelligence and Mental Anxiety from Mary Shelley to Ted Chiang

Abstract

Mary Shelley’s Frankenstein is one of the earliest depictions of augmented intelligence; within the creature, we witness a very human intelligence that bases its understanding of the world on the convergence of human senses and human thought, yet one that presents these concepts in the uncanny shade of the doppelganger. In this portrayal, there is an anxiety that creeps in to the creature’s understanding of the world and its own subjectivity. It is based on language acquisition and knowledge. Once the creature becomes not only sentient, but intelligent, he begins to feel the existential weight of reality in a way that prefigures characters in subsequent Science Fiction, as well as presciently acknowledging recent pathological and scientific studies into the connection between mental health and intellect

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