O interesse de Grotowski por práticas de origens culturais diversas ganhou especial destaque na passagem da fase Parateatral (1969-1978) para aquela denominada Teatro das Fontes (1976-1982). Buscamos neste artigo ref letir sobre como se deu e como se concebeu essa experiência em sua dimensão transcultural a partir de práticas corpóreas presentes em diferentes culturas que se transmitem como conhecimento corporificado.Grotowski’s interest in practices from different cultures had special importance during his transition from the Paratheatre phase (1969-1978) to the so-called Theatre of Sources (1976-1982). This article deals with the way this occurred and how was conceived this experience in its transcultural dimension based on bodily practices present in different cultures and which are transmitted as embodied knowledge.L’intérêt de Grotowski pour les pratiques de différents milieux culturels s’est développé dans le passage de la phase Parathéâtrale (1969-1978) à celle qu’on appelle Théâtre des Sources (1976-1982). Cet article explique cette évolution et la façon dont cette expérience a été conçue dans sa dimension transculturelle, à partir des pratiques corporelles présentes dans différentes cultures et transmises en tant que connaissance incarnée
