The failed New Orleans Cultural Center Complex was cultural genocide to an area of the neighborhood known as Treme, where a tribute to the jazz great and native son, Louis Armstrong, was planned as an afterthought. The questions remain, was the planning and building of Louis Armstrong Park responsible for the genocide of the Treme neighborhood, is the park an appropriate use of land, and what are the prospects for the park\u27s future? This thesis examines the cultural gumbo of New Orleans history, explores the early days of Louis Armstrong and the development of jazz, sets the record straight by vindicating the Louis Armstrong Park as the culprit for demolition in Treme, and takes a look at the Back ‘o Town as a tribute to him
