This thesis looks at window 43 at Chartres Cathedral, France which is one of the fullest versions of the Eustace narrative and features furriers and drapers at work. I exam the window under a narratological lens and establish an alternative order of reading the panels that is more in tune with the story as told in the window. Additionally, I compare the window to other artworks from the time that depict Saint Eustace to establish the saint’s relevance within French society at the time of the window’s construction
