Aroyo, L. (Lora)

Gorgels, P.

Rutledge, L. (Lloyd)

Stash, N.

Wang, Y. (Yanjing)

English

CWI's Institutional Repository

CHIP Demonstrator: Semantics-drivenRecommendations and Museum TourGenerationLora Aroyo12, Natalia Stash1, Yiwen Wang1,Peter Gorgels3, and Lloyd Rutledge41 Eindhoven University of Technology, Computer Science{n.v.stash, y.wang}@tue.nl2 VU University Amsterdam, Computer Science l.m.aroyo@cs.vu.nl3 Rijksmuseum Amsterdam p.gorgels@rijksmuseum.nl4 Telematica Institute Lloyd.Rutledge@cwi.nl1 IntroductionThe main objective of the CHIP project is to demonstrate how Semantic Webtechnologies can be deployed to provide personalized access to digital museumcollections. We illustrate our approach with the digital database ARIA of theRijksmuseum Amsterdam5. For the semantic enrichment of the RijksmuseumARIA database we collaborated with the CATCH STITCH project6 to producemappings to Iconclass7, and with the MultimediaN E-culture project8 to producethe RDF/OWL of the ARIA and Adlib databases. The main focus of CHIP is onexploring the potential of applying adaptation techniques to provide personalizedexperience for the museum visitors both on the Web site and in the museum.This resulted in three demonstrator components:– Artwork Recommender - a Web-based rating dialog to build a user profile,based on semantics-driven recommendations.– Tour Wizard - a Web-based tool using the user profile to generate automati-cally personalizated museum tours for each user, and to (semi)-automaticallygenerate various personalized routes through the digital Rijksmuseum col-lection.– Mobile Tour - a PDA-based tool, which uses the results from the Tour Wizardand helps users navigate and discover artworks in the physical Rijksmuseumenvironment.The online version of the CHIP demonstrator as well as a tutorial with a briefwalk-through of the personalization functionality can be found at: http://www.chip-project.org/demo/.5 http://rijksmuseum.nl/aria/6 http://www.cs.vu.nl/STITCH/7 http://www.iconclass.nl/libertas/ic?style=index.xsl8 http://e-culture.multimedian.nl/Further, we give a short introduction to the basic functionality of the Web-based parts of the CHIP demosntrator. Please note that the CHIP project col-lects feedback, on the functionality and usability of the demonstrator, on a reg-ular basis from studies with museum visitors. Thus, the demonstrator changesover time as we are incorporating more functionalities and improvements to theinterface.2 Usage Scenario: You Rate - We RecommendIn fig. 1 we illustrates how we employ semantics in building user profiles andusing them for generating recommendations to the user, as a way of guidingusers through the museum collection. In the Artwork Recommender, the userrates an artwork and several proporties:– artwork Night Watch - 4 stars (i.e. ‘‘I like Night Watch’’);– creator property Rembrandt - 4 stars (i.e. ‘‘I like Rembrandt’’);– theme property Landscape - 4 stars (i.e. ‘‘I like landscape’’);– theme property Self-portrait - 1 star (i.e. ‘‘I hate self-portrait’’).Fig. 1. Exploring semantic links in the Rijksmuseum Amsterdam collectionThe User Profile stores the user’s ratings for generating recommendations.Now, let’s see how does the artwork and topic recommendation in CHIP work:– Find all Night Watch-related properties, e.g. creator, creation place, creationyear, material and themes– Find all Rembrandt-related properties, e.g. style, teacher-of and student-of.– Find all artworks with these properties, e.g. The Jewish Bride and The StoneBridge by Rembrandt– Include all artworks with property Landscape, e.g. The Stone Bridge andMeadow Landscape– Exclude all artworks with property Self-portrait, e.g. Self-portrait of VanGogh and Self-portrait at an early ageThis results in two sets of recommendations:– Result: recommend all artworks with the above positively rated properties.All recommended artworks are ordered by the number of matching proper-ties, e.g. The Stone Bridge is the first one because it has both Rembrandtand landscape.– Result: recommend all topics with the above positively rated properties, e.g.Rembrandt, Landscape and BaroqueTwo more usage scenarios are give in the online tutorial.3 CHIP ArchitectureThe demo is based on a Sesame [1] RDF store with SeRQL-based access to usermodeling, recommendation and tour generation components. The tour genera-tion component consists of two main parts: (1) a semantic-search facility for theuser to search for themes or topics of a possible tour (e.g. a search for Rembrandtwill result in a sub-set of Rembrandt artworks which are of interest to this useraccording to her user profile); and (2) my tours visualization on a historicaltimeline, museum map or as a list of artworks. In the latter the user can alsomanually create a tour by giving it a name and then continuing with the searchoption to find single artworks to include in the currently created tour holder. Infig. 2 we show the current CHIP architecture and its sub-components.Fig. 2. CHIP Demonstrator Architecture3.1 Rijksmuseum Amsterdam Collection and Shared VocabulariesCurrently, the demonstrator hosts four thesauri, namely the three Getty vocab-ularies9, i.e., the Art and Architecture Thesaurus (AAT), Union List of ArtistsNames (ULAN) and the Thesaurus of Geographical Names (TGN), as well asthe subject classification Iconclass10. We use mappings to IconClass providedby the STITCH project [2]. We use the Getty thesauri conversion from theiroriginal XML format into an RDF/OWL representation done by the Multime-diaN E-culture project [3, 4]. The Getty thesauri are licensed11. Following thisapproach we use mappings of the ARIA terminology to the AAT, ULAN, TGNand IconClass concepts. For example, the concepts for places in ARIA referto location terms in TGN; styles in AAT are linked to artists in ULAN; birthplaces of artists in ULAN refer to location terms in TGN; subject themes inARIA refer to subjects in IconClass; names of artists in ARIA refer to ULANartists, etc. See fig. 3. We use the official ARIA collection of the Rijksmuseumin Amsterdam containing images of some 750 master pieces maintained at theRijksmuseum Amsterdam website. However, we are now preparing for a migra-tion to the main Oracle database of about 70,000 objects, extending the currentRDF/OWL with not only more artworks but also shop, news and user commentsitems. The current client interface is developed in HTML+CSS and Ajax [5].Fig. 3. CHIP Data Model and Vocabularies4 Build Your Profile with Artwork RecommenderThe user can start the exploration by first building a user profile in the ArtworkRecommender component. This is driven by a rating dialog [6] for artworks from9 http://www.getty.edu/research/conducting research/vocabularies10 http://www.iconclass.nl/libertas/ic?style=index.xsl11 The partners in the project have acquired licenses for the thesauri. People using thedemonstrator do not have access to the full thesauri sources, but can use them toannotate and/or search the collections.the Rijksmuseum Amnsterdam collection. The user can express her opinion usingfive stars, where the meaning of each star is shown when you hover the cursor overit. Next to a rating the user can indicate for each artwork whether to be used infurther recommendations or not, by using the checkbox Not interested in. Ratedartworks checked as not interested in will not influence the recommendations.The user can continue the process of rating artworks as long as she is satisfiedwith the state of the user profile shown on the right, or as long as the set ofrecommended artworks shown in the lower right part of the screen seem relevant.The user can skip rating artworks by pressing the Next artwork button. Thereis no avarage number of artworks the user needs to rate. In order to kick off therecommendations the user needs to give at least one positive (3, 4 or 5 stars)rating. The system would not be able to recommend artworks and topics basedonly on negative (1 or 2 stars) ratings.Important here is that we recommend not only artworks but also topics(based on the semantic description of each artwork you have already rated).The user can provide her positive or negative feedback to each recommendation(both topics and artworks) by rating the empty set of stars associated with it.This would be recorded then in the user profile in order to increase the level ofcertainty for related properties and artworks.Fig. 4. Screenshot of the CHIP RecommenderIf the user is logged with a FOAF profile in the option to view the full userprofile (right top) will show the user’s personal and social network data. In thefull profile we also store the history interaction data about tours that this userhas created and/or followed both on the Web and in the museum with the PDA-based mobile tour. Current investigations focus on including also social filtering[7] in order to include social aspects in recommendation and to optimize specificcold-start problems.In this interactive way [8] the user has the opportunity to quickly get a feelingof the Rijksmuseum collection and give her opinion on the paintings presented.Based on a user rating the system finds artworks from the Rijksmuseum collec-tion that are the most probable candidates for this user to like. See fig. 4 for ascreenshot of the recommender user interface.5 Create and Personalize Your Tours with Tour WizardThe main rationale behind the CHIP demonstrator is based on the assumptionthat users more and more will spend time preparing their visits to museumsand also reflecting on them after the visit. This is driven by the observation thatusers have an increasing choice of digitalized collections and related information.This leads us to our main goal to allow the users to be their own currators,e.g. selecting the artworks they want to see, influencing the order, the overalltheme of the tour and the time to be spent in the museum. In order to realizethis we maintain a common user profile for the user on the Web and on themobile device, and in this way we keep track of users interaction history both inthe virtual and in the physical museum.Fig. 5. Screenshot of My Tours on the museum mapIn the Tour Wizard you have two main screens (tabs):– My Tours: Here the user can see an overview of the current tours and cancreate a new tour if desired. She can (1) select a tour and then (2) search fora topic, artist or an artwork to include further new items in the currentlyselected tour. Note that if you go straight to the search option you will notbe able to add new items to your tours; you will be able to only search fortopics, artworks or artists and browse through the search results. Among thealready existing tours we generate for each user a Tour of RecommendedArtworks, which contains 20 Rijksmuseum master pieces selected accordingto user’s current user profile. If further interaction with the demo appears,the user profile will be altered and in this way the tour of recommendedartworks will be updated as well. Each tour can be viewed by the user as alist and on a Museum Map (see fig. 5) or on a Historical Timeline (seefig. 6).Fig. 6. Screenshot of My Tours on the historical timeline– Search Results: Here the user can search the Rijksmuseum collection fortopics, artists, locations, styles, artworks, etc. and browse the search results.Idealy these results will be altered (filtered with) according to the user profile,so that she will see the artworks related to her search query, which are ofrelevance and interest to the user. However this option is still in work-in-progress, so it might not work properly yet. Note that if you first do searchand then (while browsing the results) you want to add some of them toan existing tour, you will not be able to do so. Unfortunately, the currentinterface implementation restricts the user to first select a tour and thenperform a search for artworks to be included in this tour. We areworking on improving this interface limitation, so that you are able to addat any point of time an artwork from the search result (or even from yourArtwork Recommender interface) to an existing tour.Acknowledgements. The CHIP (Cultural Heritage Information Personaliza-tion) project is funded by the Dutch Science Foundation funded program CATCH(Continuous Access to Cultural Heritage) in the Netherlands.References1. Broekstra, J., Kampman, A., van Harmelen, F.: Sesame: A generic architecture forstoring and querying rdf and rdf schema. (2002)2. van Gendt, M., Isaac, A., van der Meij, L., Schlobach, S.: Semantic web techniquesfor multiple views on heterogeneous collections: A case study. In: ECDL’06: Pro-ceedings of the International ECDL’06 Conference, Berlin / Heidelberg, Springer(2006)3. van Assem, M., Menken, M., Schreiber, G., Wielemaker, J., Wielinga, B.: A methodfor converting thesauri to rdf/owl. In: ISWC ’04: Proceedings of the InternationalSemantic Web Conference, Berlin / Heidelberg, LNCS 3298 Springer (2006) 17–314. Schreiber, G., Amin, A., van Assem, M., de Boer, V., Hardman, L., Hildebrand,M., Hollink, L., Huang, Z., van Kersen, J., de Niet, M., Omelayenko, B., van Os-senbruggen, J., Siebes, R., Taekema, J., Wielemaker, J., Wielinga, B.: Multimediane-culture demonstrator. In: ISWC ’06: Proceedings of the International SemanticWeb Conference, Berlin / Heidelberg, LNCS 4273 Springer (2006) 951–9585. Garrett, J.J.: Ajax: A new approach to web applications.http://www.adaptivepath.com/publications/essays/archives/000385.php (Febru-ary 2005)6. Wang, Y., Aroyo, L., Stash, N., Rutledge, L.: Interactive user modeling for per-sonalized access to museum collections: The rijksmuseum case study. In: UM’07:Proceedings of the International User Modeling Conference, Berlin / Heidelberg,Springer (2007)7. van Setten, M.: Supporting people in finding information: Hybrid recommendersystems and goal-based structuring. Telematica Instituut Fundamental ResearchSeries, No.016 (TI/FRS/016). Universal Press. (2005)8. Rutledge, L., Aroyo, L., Stash, N.: Determining user interests about museum col-lections. In: WWW’06: Proceedings of the International WWW’06 Conference(poster), Berlin / Heidelberg, Springer (2006)

CHIP Demonstrator: Semantics-driven Recommendations and Museum Tour Generation

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