The original compositions presented in this portfolio are the product of practice led research into developing and implementing composition techniques that enable free association. This com-mentary outlines the different approaches I have taken and the reasoning behind them

Adams, Thomas James

English

University of Huddersfield Repository

A Qualitative Analysis of Composers at Work.

Improvisation; Its nature and practice in music. Boston: De Capo Press. pix Csikszentmihalyi,

Liveness: Performance in a mediatized culture.

Outliers: The Story of Success.

Problems and prospects for intimate music control of computers.

Retrieved from http://www.youtube.com/user/cassetteboy (accessed 7th

The Improvisational Brain. Seed Magazine. [Online]. Retrieved from http://seedmagazine.com/content/article/the_improvisation al_brain (accessed 5th Dec

The producer as composer. London: The MIT press, pxiii Pugatch J.

The Straight Line Will Take You Only To Death: The Scroll Manuscript and Contemporary Literary Theory. In Jack Keroac, On The Road; The original Scroll.

The Studio As Composition Tool.

To sing the body electric: instruments and effort in the performance of electronic music.

Transcript available at: (accessed 6th

Free associative composition: Practice led research into composition techniques that help enable free association.

Free associative composition: Practice led research into composition techniques that help enable free association.

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University of Huddersfield Repository