Poplett, Patricia

English

Kent Academic Repository

2001.’This Voice Which is Not One: Helen’s Verbal Guises’.

A Half - Century of Greatness: The Creative Imagination of Europe,

A Room of One’s Own.

A Silent Partner Long Enough: Phelps Rewrites Gaskell’s North and South’,

A Theory of Literary Production, Trans. Geoffrey Wall. London and

A Woman’s Work: The First 20,000 Years.

Against Interpretation and Other Essays.

Alice Walker’s Redemptive Art’.

Arachnologies: The Woman, the Text, and the Critic’.

Ariadne’s Thread. Ithaca and London:

Ariadne’s Thread. New Haven and London:

Common Threads. Stoke-upon-Trent, Staffordshire:

D.H.Lawrence: Novelist. London: Chatto and Windus.

Ed. Oxford Dictionary of Word Origins.

Ed. The Cambridge Companion to D.H.

Feminist Theory and The Classics.

Forms and Meaning in Drama.

Fragment 102’. Ed. and Trans. Anne Klink. In An Anthology of Ancient and Medieval Woman’s Song.

From the Beast to the Blonde.

Gertrude Stein and the Transposition of Gender’.

Goddesses, Whores, Wives, and Slaves. London: Random House.

Homeric Questions.

Ladies Day at the Art Institute’: Theocritus, Herodas and the Gendered Gaze’. In Making Silence Speak. Eds. André Lardinois and Laura McClure.

Lament Ritual Transformed into Literature: Positing Women’s Prayer as Cornerstone in Western Literature’.

Landmarks in Greek Literature. London: Weidenfeld and Nicholson.

Lawrence and Psychoanalysis’. London and

Luddism, Medievalism and Woman’s History in Shirley: Brontë’s Revisionist Tactics’.

Madwoman in the Attic - The Woman Writer and the Nineteenth Century Literary Imagination. New Haven and London:

Making and Using Quilts in Eighteenth-Century Britain’.

Medieval Woollens, Textiles, Technologies and Organisation’. In The Cambridge History of Western Textiles. Ed. David Jenkins. Cambridge:

Metamorphoses. Trans. David Raeburn.

Metaphors of Self – The Meaning of Autobiography.

Modernist Myth - Studies

Novel Craft – Victorian Domestic Handicrafts and Nineteenth Century Fiction.

Of Needles and Pens and Women’s Work’,

Once Upon a Time. Bloomington and Indianapolis:

Patches: Quilts and Community in Alice Walker’s “Everyday Use”.

Philomena Speaks: Alice Walker’s Revisioning of Rape Archetypes in The Color Purple’. In Alice Walker’s The Color Purple’. Ed. Harold Bloom.

Piercing and Writing’. In The Poetics of Gender, Eds. Carolyn

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Representing Female Artistic Labour. 1848 -1890: Refining Work for the Middle-Class Woman.

Rereading Women - Thirty Years of Exploring Our Literary Traditions.

Sentimental Power: Uncle Tom’s Cabin and the Politics of Literary History’

Sexual Personae.

Sexual/Textual Politics. London and

Stung with Love Poems and Fragments.

Textile Mills and the Political Economy of Domestic Womanhood in Elizabeth Stuart Phelps’ The Silent Partner’.

Textiles - The Whole Story. London: Thames and Hudson.

Textiles in Texts: Literary Representations of Women’s Textile Crafts Patricia M Poplett -

The “Women’s Tradition’’ in Greek Poetry’,

The Color Purple and the Poetics of Fragmentation’.

The Color Purple.

The Culture of Knitting.

The Distaff’. Ed. and Trans. I.M.Plant.

The Dynamics of Enclosure’. In Alice Walker – Critical Perspectives Past and Present. Eds. Henry Louis Gates, Jr. and K.A.Appiah.

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The Gendered Pulpit: Preaching in American Public Spaces.

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The Needle as the Pen: Intentionality, Needlework and the Production of Alternate Discourses of Power’.

The Odyssey. Trans.

The origins of swadeshi (home industry): cloth and Indian society, 1700-1950’.

The Other Side of the Story, Structures and Strategies of Contemporary Feminist Narratives.

The Pleasure of the Text. Trans. Richard Miller.

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The Storyteller: Reflections on the Work of Nicholai Leskov’.

The structure of a cultural crisis: thinking about cloth in France before and after the Revolution’.

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The Textile Reader. London and

The Thieves of Language: Women Poets and Revisionist Mythmaking’.

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The Voice of the Shuttle is Ours’.

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What is Cultural History? Cambridge and

Women and Economics.

Women and the Demon – The Life of a Victorian Myth. Cambridge, Massachusetts and London:

Textiles in Texts: Literary Representations of Women's Textile Crafts

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Textiles in Texts: Literary Representations of Women's Textile Crafts

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