Virginia Woolf’s work is shaped by her knowledge of, and fascination with, visual cultures. Orlando, Flush, and Three Guineas all contain photographs, and Woolf wrote about cinema and was an enthusiastic domestic photographer.
Visual artefacts of all kinds ranging from Omega Workshop crafts to Hogarth Press book designs, are part of her visual landscape.
The chapter discusses Woolf’s relation to visual cultures, in particular Woolf’s ‘Portraits’, essays, ‘The Cinema’, Flush and Three Guineas
