This article explores the Gothicisation of the Haitian Revolution in the transatlantic discourse during the late eighteenth and early nineteenth centuries. As it argues, the Gothic mode has to be understood as a reaction to the profound challenges that the Haitian Revolution posed to a transatlantic world built on the slave economy. Pro-slavery and pro-colonialist authors demonised this successful slave revolution and one of the first anti-colonial revolutions in modern history by resorting frequently to the ‘hegemonic Haitian Gothic.’ By contrast, early Haitian leaders and some British radicals appropriated this mode, turning it into the ideologically contrary ‘radical Haitian Gothic.
