This article looks at the obscene and scurrilous humour of Knights with a view to examining how its main protagonists are characterized sexually. Through an examination of how the Sausage-Seller and Paphlagon are presented in terms of both sexual insertiveness and receptiveness – both anal and oral – I seek to challenge views of the play which cast Paphlagon as the more sexually aggressive of the two. Rather, the contention of the article is that the Sausage-Seller’s aggression is expressed both through the direct nature of his sexual threats and the shameless ways in which he flaunts his whorishness and oral and anal receptiveness. In contrast, Paphlagon-Cleon’s sexual character largely emerges through metaphors, allegations, innuendos and jokes made at his expense
