In Frans Sammut's novel Samuraj, the village in which most of the action takes place, is a metaphor of post-Independence Malta that is trying, and more often than not failing, to come to terms with what has been called the "severity of independence". The isolated, backward Village is plagued by the bipolar nature of its social make-up and strangled by its overpowering Church. Its 'moral' community takes the protagonist's refusal to toe the line as an affront to its authority, and its aggressive reaction forces him to turn to the painful, but fond memory of his battered mother for comfort, echoing independent Malta's inability to wean itself away from its colonised past.peer-reviewe
