The article treats the most famous corpse in the history of Slovenian theatre, that is, the corpse of a white chicken which was executed in 1969 at the end of the premiere of the theatre project by Group 443 (Theatre Pupilje Ferkverk) entitled Pupilija, papa Pupilo pa Pupilčki. This theatrical performance produced many echoes, which are followed by the author through a philosophical consideration of the role of the corpse and death in contemporary theatre.Prispevek obravnava najbolj slavno truplo v zgodovini slovenskega gledališča, truplo bele kokoši, ki so jo zaklali leta 1969 na koncu premiere gledališkega projekta Skupine 443 oz. Gledališča Pupilije Ferkeverk z naslovom Pupilija, papa Pupilo pa Pupilčki. Gledališki performans je dobil proizvedel mnogo odmevov, ki jim avtor sledi skozi filozofski premislek v smeri prespraševanja mesta trupla in smrti v sodobnem gledališču
