Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia

Abstract

Razprava obravnava kontrafakturno prakso v rokopisih Piusa Hanckeja, dominikanskega meniha iz Šlezije. Njegove partiture kažejo poti, po katerih se je širil operni repertoar, in dokumentirajo procese sprememb v prehodu k drugi družbeni vlogi, ki jo je posamezno delo dobilo ob priredbi posvetne vsebine liturgičnemu okolju.The paper discusses contrafactum practice in the manuscripts of Pius Hancke, a Dominican monk from Silesia. His scores point to pathways for the dissemination of the operatic repertory and document the process of change in its social function associated with the adaptation of secular music to a liturgical context