Doctor of Philosophy

Abstract

dissertationBoundary violations between the human and the more-than-human serve as unruly "crossings" that queer and rewild the world as we know it. Animate Rhetoric, Queer Beasts: Rewilding Domesticity explores such puncturings of our everyday worlds. Specifically, I am interested in how animals challenge and transform naturalized human boundaries and barriers. How do animals breach the boundaries surrounding anthroponormativity? Animal crossings at unsanctioned intersections have the power not simply to disrupt, but to animate the world. This project challenges the essentialist claim that rhetoric is the domain of humans, and puts forward the concept of animate rhetoric. Animate rhetoric expresses the potential that everything might be speaking: mountains conversing with wind, rain, sun and pica; chickens clucking in soil and fussing with insouciant Scrub Jays; rivers churning against asphalt and whispering amongst tree roots. Animate rhetoric does not claim that everything is speaking or that it is speaking to us, merely that there is the possibility of such engagement. Such an approach opens up a vibrant, multivocal space for encounters with animal others, rather than silencing them or forcing them to speak in human terms. These discursive productions are events which encourage us to reconsider the world as perceived from the animal's perspective. Social media present unique avenues to consider these multiple worlds. Disruptive animals who rewild the screen reveal the importance of looking at animals, not as mere spectacle, but as animate agents who challenge humans and our own perspective of the world. These productions can challenge the boundaries surrounding the human and spark possibilities for new relationships where borderlines are incoherent and unstable. Linking images of animals together produces an unruly force that plays a role in shaping realities and serving as unexpected sites for resistance. Using case studies that span a range of species, we encounter animal others who bound into our domestic sphere via the digital screen

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