Johnny Guitar (1954) is a rare, female Western, based on the story of a small, corrupt Arizona community and a new property owner, Vienna (Joan Crawford). The town is dominated by the two main female characters of Vienna and Emma (Mercedes McCambridge); they call every shot, make every decision, and have men who follow them. The gender performances of both women are examples of coded lesbianism, which is adopted in the film to show their power and success in a man’s world. Their masculine appearances and cold glances at men create on-screen innuendos, referring to their butch identities. The main male characters are, in turn, feminized, creating very sensitive and emotional cowboys, who dance, sing, and abide by their women. Not fully adopting homosexual characteristics, the resolution for the “queered” female characters lies in their ability to simultaneously be heterosexual damsels-in-distress, waiting for an opportunity to be turned back into women by the men who love them. Thus, even though the main characters’ queer characteristics subvert the status quo in the traditional Western, heteronormativity is restored at the film’s conclusion
