Ss. Cyril and Methodius University in Skopje, Faculty of Economics-Skopje
Abstract
From the standpoint of a feminist literary critic, the demonization of women in the form of a stereotype/archetype femme fatale is usually interpreted as a patriarchal ideological construction symbolizing male fear of female emancipation, connected with the periods of crisis of the patriarchal societal order. Unlike other feminist critics, in her work Soft Shed Kisses – Re-visioning of Famme Fatale in English Poetry of the 19th Century Malgorzata Luczynska-Holdys claims that the stereotypical character of femme fatale in literature is often used to criticize male point of view. This interpretation is the consequence of male voices in the texts analyzed by Luczynska-Holdys, which ascribe fatality to all women. This interpretation is based on the thesis that in the novel Anika’s Times it is possible to observe the process of demonization of women in the minds of central male characters, as well as in the stories produced by the patriarchal male-centered community. Therefore, the novel does not simply reproduce the patriarchal stereotypical construction of fatal women but it enables a certain level of its reflection and criticism.Demonizacija žene u obliku stereotipa/ arhetipa fatalne žene s gledišta feminističke kritike obično se interpretira kao patrijarhalna ideološka konstrukcija koja označava muški strah od ženske emancipacije povezan s periodima krize patrijarhalnog društvenog poretka. Za razliku od većine feminističkih kritičarki Malgorzata Luczynska-Holdys u svom radu Re-vizija fatalne žene u engleskom pjesništvu 19. stoljeća tvrdi kako posezanje za ovim stereotipom u književnosti često omogućuje kritiku muškog gledišta zapažajući da u analiziranim tekstovima muški subjekti fatalnost pripisuju svim ženama. Moja interpretacija polazi od teze da pripovijetka Anikina vremena omogućuje refleksiju procesa demonizacije žene i ženskosti, kako u svijesti glavnih muških likova, tako i u pričama koje oblikuje patrijarhalni kolektiv, te da stoga pripovijetka ne reproducira jednostavno patrijarhalno konstruiranje stereotipa fatalne žene, nego omogućuje određenu razinu kritike ovog procesa
