University of Mostar, Faculty of Humanities and Social Sciences
Abstract
Milan Begović autor je gotovo dvije stotine kazališnokritičkih tekstova, ali
i različitih drugih kazališnih osvrta, polemika, portreta kazališnih umjetnika
i teatroloških članaka te ovaj, do sada manje poznati, dio bogatoga
stvaralačkog opusa Milana Begovića ujedno nedvojbeno predstavlja
istaknutoga dramskog pisca kao nezaobilaznu i osebujnu ličnost u krugu
hrvatske kazališne kritike prve polovine XX. stoljeća. Kao ugledni pisac i
kao čovjek iskustva glede pitanja domaćih književnih prilika, a pogotovo
kao dramatičar i vrstan znalac suvremenih europskih dramskih kretanja,
Begović je u svojim novinskim kazališnim kritikama iznio o mnogim
našim dramatičarima i o kazališnim ostvarenjima pregnantne i posve
točne ocjene. Begović je sustavno pratio kazališni život u svim sredinama
gdje je boravio – u Splitu, Zadru, Beču, Hamburgu te napose u Zagrebu
– redovito pišući kritike kazališnih predstava koje je gledao. U razdoblju
od 1904. do 1944., dakle u razdoblju od puna četiri desetljeća, u brojnim
su hrvatskim novinama i časopisima objavljeni njegovi brojni kazališnokritički
tekstovi koji rječito govore o piščevu kritičkome odnosu prema
kazališnim zbivanjima. Osim u hrvatskoj periodici Begović je o kazališnim
ljudima i događajima, napose hrvatskim, pisao i u njemačkim, austrijskim,
talijanskim i srpskim časopisima i novinama doprinijevši tako
poznavanju hrvatske kazališne umjetnosti izvan nacionalnih granica.Milan Begović is the author of almost two hundred theatrical-critical
texts and different theatrical retrospections, polemics, portraits of theater
artists and theatrological articles and this, so far less known part of rich
creative opus of Milan Begović, in the same time undoubtedly represents
prominent drama writer as unavoidable and distinctive person in the
frame of Croatian theatrical critics of the first half of the 20th century.
As a prominent writer and experienced man as far as home literature
circumstances are concerned and especially as a dramatist and excellent
connoisseur of European drama movements, in his newspapers critics
Begović talked about many our dramatists and theater achievements
and gave them meaningful and completely correct assessments. Begović
systematically followed theater life in all the areas he spent some time –
in Split, Zadar, Vienna, Hamburg and especially Zagreb – regularly writing
critics of theater shows he watched. His numerous theatrical-critical
texts which speak about a writer’s critical relation to theater happenings
were published in many Croatian newspapers and magazines in the period
from 1904 to 1940 i.e. in the period of 4 decades. Besides Croatian
periodicals, Begović was writing about theater people and happenings,
especially Croatian ones, in German, Austrian, Italian and Serbian magazines
and newspapers and contributed to knowing of theater art outside
the national borders