The future of puppetry

Abstract

Da bih mogla pisati o lutkarstvu i budućnosti u Hrvatskoj upoznati ću se sa osnovama lutkarstva: vrsta lutaka, animacija, dramaturgija, glazba i sve ostalo što pripada lutkarskoj sceni. Nakon toga ću pisati o povijesti pet lutkarskih kazališta u Hrvatskoj ( Split, Zagreb, Rijeka, Osijek, Zadar) koja su imala svojih uspona i padova. Bez obzira na neprilike poput Domovinskog rata ili lošijeg novčanog stanja u državi, hrvatski lutkari nisu odustajali. Cilj ovoga rada je usporediti položaj lutkarstva u Hrvatskoj u odnosu na prošlost, te spoznati kakva je budućnost hrvatskog lutkarstva. Na kraju ću na temelju repertoara Dječjeg kazališta Branka Mihaljevića u Osijeku donijeti zaključak utječe li repertoar kazališta na njegovu posjećenost ili je razlog nešto drugo.To be able to write about puppetry and its future in Croatia, I will make myself familiar with the basics of puppetry: different types of puppets, animation, dramaturgy, music and everything else that belongs to the puppet scene. After that, I will write about the history of the five puppet theaters in Croatia (Split, Zagreb, Rijeka, Osijek, Zadar), which had their ups and downs. Regardless of problems such as The Croatian War of Independence or a bad financial condition in the country, the Croatian puppeteers did not give up. The aim of this final paper is to compare the position of puppetry in Croatia in relation to the past, and to see what could be the future of Croatian puppetry. On the basis of the repertoire of the Children's Theatre Branko Mihaljević in Osijek, I will make a conclusion whether the repertoire of the theater affects his attendance or it is affected by something else