Cremin, Philip J.

English

Goldsmiths, University of London: Journals Online

  Contact :  A  Journa l  for  Contemporary  Mus ic  ( 1971 -1988)  http://contactjournal.gold.ac.uk Citation      Cremin, Philip J. 1971. ‘Frank Zappa’. Contact, 2. pp. 14-17. 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'"::}• · _ \ .. _ :·."""_ ,s_ ... ;_ • • ' j- l -· - -... ' r:. ' . .... • ...: ·:.:.: •• •• _...,;: .... ; ... \'.:- ... .. .:..,.--;: l-i :c :w.eil -_a!S .· r:J:he so.cia:l .:.._G.ownt -- c_=- .@_n :j;be too · cy' ,th,e{ cAfifox.nian ·:An .fort m8k&ng 0 the I ...... ...... _,- .:t· ;:v_ .. 8 .. ·-_. .. .... . ._r-, The hext -=album Freeh i was '· again :Ll:l • . -:- ( ... sjmphony orchGs.tri}-r-mad-e.tup -:: this quit tl:_le ·. gr01ip .. ai).d 0 p:iaili.st Tripp ·r,5·oined:Zcm· and JtyidpHbne • .;:,·Trfpir ·exDtriem'l5er of 'the: ·cinti±!Viati "i"•'"K •. -'- ·' ,., m ·· r-; '1·-;.• ··•·· ...... r.'L.''1·'·.:1 _,, -'-···· '['(r, ,.,,.,y,, """''r-+ • -'- ,, '.,_,, ""..;"' · -. .--'-"· =- .:j _.._, " ... ·..; · .. v ·"" "v-,-, ·o'-"'"' "fD:J- .. ) .. - ::+-_[·,, ·:/'1'0 C;\1- I .Lq L!ifr.o ;'f 9 6 7-. . Zapp£ t pax <f':':Bis· sit -!£{jv' . • . :+ 1 .. 9 • • " r , ... .; · on:La · dr3:t'rc:!l --. fhi -r , t) ',;VthiQl'F since ... many2 to6:f" and rfutes afrcF116i:ris tb.e _-!'Mot'tiers· :vfe:2e . •ss;(. t L ...- 10 :t . .:,.,;;c:· <..:D ·' .. .. _-. ,, • , · .... . '. T -"' 'c:>. • .. - '· ... Meanwhile they recorded "We 1 re only . in it for , the E,J. parody of··"hipp;[es . and· flower povrer, and 11 Ruben and Jets", · a satirical and -nos-talgic colleqtion of 1950's type rock , and roll. · Don Preston, piano and electronic effects was added to the •'group. - . - In 1968-, completed·' his "most .. ambitious project yet -'. . ··" .. , I - . . . a · double ' album entitled "Uncle Meat" which was intended as the sound track to . of the same Both "featured many no.,;.el , eleCtronic recording effects; the use of e . g . forty track b1,1ild \lP the use of . sound filters to amplify sections of the j_nstrumerttaiion. nsea· Melchor 9oriipressors arid Lang Equalizers 1 these enhanced the :groupls - soruid arid marked the beginning of an evolution tovvru;'ds· ·complex·· a:rld impro'ved . m_9des of rec;:ording. . ..:.._,;'"' :.,:., ; - - ;· '· ,...""'; .. Betf;ee:lf l\4arch :i:96.cr-and July 1969, Zappa' s ··uMothers' of Invention" re-corded at least ' twelve albums, none '" of _(to my knowledge) -have ever been released. These albUms feature cuts and live cuts from rcon-·certs. I peli_eve the "Weasels Ripped My Flesh" released .September, 1970 i is a sample {hEJS·e .:- . <..., . • - ' .., ,..-, . , ' . rn ·the ·summe,r of '1968 , .. i of Inv.entton" pa,id thc.;Lr ' secqnd visit to England. Their sole . condert was at the RoYal Festiyal Hall. _ It was a ·multi media event .featuring clovms, .acrobats . and dancers·. .Res--pected violinist Don "Sugar Cane" ·Harris came along ·with the group, . The ·· whole show was filmed and recorded. . The product was -some. crecord-ed music, .. Perhaps the Zappa e·ver .produced.;. -The'. critics ,. . ' -··· 1,_...; in England again did not seem to 6omprehend the show.·· Zappa and tho i'Mothers' 11 returned to America leaving people still a .little unsure they were serious :musicians or comedians. if Some of the music fronr .ihe show was la t()r released in February, 1970, on the a.l bum "Burnt Yiea.ry Sa.n:o.vrich". The track on side two, "Tho Little House I used to Live in" , is 21' 52 11 of free flovri11g music, brilliantly recorded. For those n€nv to . Zappa's music there is .no better introduction than this tJ;"ack in 'full .stereo• It features a shrilling electric violin solo from Sugar Cane.Harris-. Also an exhilarating rolling organ solo from Frank himself• Most of the next year in America saw the group's fortunes increase only slightly. They vrere earning nov;here near the amount big British rock bands, e.g. ''Cream", vrere grossing. The next British tour in"l\'Iay, 1969, was very successful and for the first the "Mothers" appeared outside London, On Friday, ·30th May, they gave a concert at the Birmingham Town Hall. This was the best music concert I ever had the pleasure of witnessing. Supple!Ilented by Buzz Gardener (brothar of Bunk) on horns, flugeJh0rnand bassoon, they played what Zappa calls contemporary American music and electronic chamber music. The sheer intensity end beauty of tbe music astonished the audience. I myself spoke to Zappa after the show and cah reveal t.hat he is intelli-gent, and considerate tovrards his fans. DUring this tour FranJ{ and his "Mothers' " vmn many admirers. It is ironic that shortly aftervmrds he disbanded the group. He gave lack of audience appreciation as the main reason. Tha disbandment of 1.4:ii6"lh9.rS 11 was the tragedy fo:r progressive music. Zappa, Ian Und€l;r:wood and' several Los Jl..ngeles musicians recorded "Hot Rats" in August and September, Jean Luc Ponty, ·· a friend of Zappa, also appeared on the album. The French violinist's presence perhaps showed how .much .respect Zappa -cbmmartds in music circles.. The albturr was a groat . success selling particularly well in :El:ITope . It did more anything to bring attention to Frank Znppa 1 s music• . Rolling ·stone m!;J,go.zin.e _called it "A significant piece of Jazz, as influential . as,' any thiS deCade • II . . . . . : . Zappa began tb get some of the praise he so justly_ deserve·s. He uon the Pop I\Iusicio.n Armrd from Downbeat (1970 ). He played a concert with Zubi n Met1ta and the Los Angeles Symphony Orchestra. He re-formed "The i11others ' of Invention" though unfortunately \·-J"i th certain brilliant musicians from his previous line missing. His main project at the moment seems .to be "200 .Motels" Ylhich has 2ust hnen fil-10<'t md brings us back full c:j.rcle to the Albert Hall, 197l. I . ,•-' '• - 17 -APPENDIX The following is a list of players who appeared vri th Zappa in 1966-69 as original members of the "Mothers of Invention". t 5) (9) (10) Frank Zappa, Jimmy Carl Black, Roy Estrada, Don Preston, Billy Mundi, Bunk Gardcm.or, Ia..'1 Undervmod, Art:t:u-Tripp; Roy Collins, James Sherwood, Buzz Gardener , Don Harris, Guitar, percussion . Drums. Electric bass, vocals• Organ, piano . (Quit early 1968). Flute, saxes, bassoon Organ, piano, saxes . Drums, xylophone, vibes . Vocals (Quit late 1968). Tenor . sax, tambourine. Horns, sax (from 1969). Electric violin ( 1968 only). ALBUMS RELEASED ---------------"Freak Out" double (u.s. only) 1966 "Absolutely Free" 1967 "Lumpy Gravy" 1967 "We're only in it for the II 1967 money "Ruben and the Jets" 1968 "Uncle Meat" double 1968 (TRA 197) "Hot Rats" (RSLP) 6356 1970 "Burnt Snndwich" (RS 6370) 1970 "Weasels Ripped my Flesh" (RS 2028) 1970 Nevr Group 1970 "Chunga's Revenge" 1970 All except the latter strongly recommended. Tho first five albums are M.G.M. label and in the process of being deleted. PHILIP J. CREMIN 

Frank Zappa

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Frank Zappa

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