Still concentrates on façade as a means of considering what we can see and what we decide to show. I am curious about the relationship between our memories and our photographs, and how only the latter is truly accessible to others. In order to communicate what I see before me as best as possible, I ask those who I photograph to be still so that their likeness may be translated faithfully. In our stillness we can become increasingly aware of our surroundings and of ourselves. Though “still” describes the absence of motion, it also describes a continuation from the past into and through the present. I am still making photographs. I am still learning. I am still alive
