The non-linear narrative of Laurence Sterne\u27s Tri st ram Shandy demands attentive readers. Written under the influence of John Locke\u27s Essay Concerning Human Understanding, the novel satirizes Lockean associationism and illustrates language\u27s inability to express ideas accurately. In the novel, words seldom convey characters\u27 intended meanings, yet Tristram uses language effectively to narrate self to his readers. Rather than having his mind\u27s workings conform to the linear nature of traditional discourse, Tristram communicates associatively to intelligent, involved readers without imposing linearity. In this study I examine scholars\u27 work to determine Tristram \u27s position on Locke\u27s ideas and use Seymour Chatman \u27s narrative model to study the emerging narrative self by applying his concepts of FA BU LA (story) and SJUZET (discourse). I review Tristram \u27s self-expression by focusing on techniques of non-li near narration and conclude by examining hypermedia as an alternative model for narrating consciousness that emphasizes the reader, comparing hypermedia\u27s reader to Tristram Shandy\u27s narrator
