Selling Catholicism: Bishop Sheen and the Power of Television

Abstract

When the popularity of Milton Berle\u27s television show began to slip, Berle quipped, At least I\u27m losing my ratings to God! He was referring to the popularity of Life Is Worth Living and its host, Bishop Fulton J. Sheen. The show aired from 1952 to 1957, and Sheen won an Emmy, beating competition that included Lucille Ball, Jimmy Durante, and Edward R. Murrow. What was the secret to Sheen\u27s on-air success? Christopher Lynch examines how he reached a diverse audience by using television to synthesize traditional American Protestantism with a reassuring vision of Catholicism as patriotic and traditional. Sheen provided his viewers with a sense of stability by sentimentalizing the medieval world and holding it out as a model for contemporary society. Offering clear-cut moral direction in order to eliminate the anxiety of cultural change, he discussed topics ranging from the role of women to the perils of Communism. Sheen\u27s rhetoric united both Protestant and Catholic audiences, reflecting--and forming--a vision of mainstream, postwar America. Lynch argues that Sheen\u27s persuasive television presentations helped Catholics gain social acceptance and paved the way for religious ecumenism in America. Yet, Sheen\u27s work also sowed the seeds for the crisis of competing ideologies in the modern American Catholic Church. Christopher Lynch is an assistant professor and freshman seminar director in the Department of Communication and Theatre at Kean University, New Jersey. Not only was Fulton Sheen the only ostensibly religious broadcaster to ever be commercially viable on television, but he enjoys residual popularity today. —John P. Ferre, University of Louisville Named the 1999 Book of the Year by the Religious Communication Association.https://uknowledge.uky.edu/upk_history_of_religion/1003/thumbnail.jp

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