Selections from the permanent collection, Fall 1997https://digitalcommons.lasalle.edu/exhibition_catalogues/1080/thumbnail.jp

Burke, Brother Daniel, FSC

La Salle University Art Museum

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La Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition Catalogues La Salle University Art Museum1997The Works of MercyLa Salle University Art MuseumBrother Daniel Burke FSCFollow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_cataloguesPart of the Fine Arts Commons, and the History of Art, Architecture, and ArchaeologyCommonsThis Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has beenaccepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For moreinformation, please contact careyc@lasalle.edu.Recommended CitationLa Salle University Art Museum and Burke, Brother Daniel FSC, "The Works of Mercy" (1997). Art Museum Exhibition Catalogues. 32.http://digitalcommons.lasalle.edu/exhibition_catalogues/32The Works of Mercy!TH E W ORKS  OF M ERCYLA SALLE U N IV ER SITY  A R T  MUSEUM FALL, 1997Frontispiece: Rembrandt van Rijn (1606-1669) The Return o f  the Prodigal Son 1636 EtchingThe Great CommandmentWhen Christ is asked what, among all the requirements of the Law, is most important for a good life, he does not hesitate: it is to love God above all else and the neighbor as oneself. But one of his questioners asks the Lord to be more specific: who is a neighbor? Jesus replies, with the story of the Good Samaritan, that the neighbor is anyone in distress—and he who helps him becomes his neighbor.In a real sense, Christ is the universal neighbor, the incarnate compassion of God. His ministry on earth is a series of deeds making this Great Commandment specific, explicit, and physical. He reveals his love in miraculous cures of the sick or feeding the hungry; he explains and celebrates it in a parable like the Prodigal Son—and his prodigally loving father; he dramatizes it in his forceful picture of the Last Judgment with its reiterated dialogue:When the Son of Man comes in his glory, and all the angels with him, he will sit upon his glorious throne, and all the nations will be assembled before him. And he will separate them one from another, as ashepherd separates the sheep from the goats. He will place the sheep on his right and the goats on his left. Then the king will say to those on his right, “Come, you who are blessed by my Father. Inherit the kingdom prepared for you from the foundation of the world. For I was hungry and you gave me food, I was thirsty and you gave me drink, a stranger and you welcomed me, naked,and you clothed me, ill and you cared for me, in prison and you visited me.” Then the righteous will answer him and say, “Lord, when did we see you hungry and feed you, or thirsty and give you drink? When did we see you a stranger and welcome you, or naked and clothe you? When did we see you ill or in prison, and visit you?” And the king will say to them in reply, “Amen, I say to you, whatever you did for one of these least brothers of mine, you did for me.” Then he will say to those on his left, “Depart from me, you accursed, into the eternal fire prepared for the devil and his angels. For I was hungry and you gave me no food, I was thirsty and you gave me no drink, a stranger and you gave me no welcome, naked and you gave me no clothing, ill and in prison,and you did not care for me.” They will answer and say, “Lord, when did we see you hungry or thirsty or a stranger or naked or ill or in prison, and not minister to your needs?” He will answer them, “Amen, I say to you, what you did not do for one of these least ones, you did not do for me.” And these will go off to eternal punishment, but the righteous to eternal life.The Corporal WorksFrom the beginning, Christians have understood that the six deeds specified here did not exhaust the possibilities of compassionate concern, but were basic examples of what could be done.They felt free (perhaps, during a time of persecution or plague) to add a seventh—to bury the dead—to what became a traditional list of “the corporal works of mercy.” Nor did they forget that neighborly charity had to be fired by love of God, by both the one who gives and the one who receives. For in the course of ordinary human give and take, as Karl Rahner remarks, “Who can give without showing himself proud in the very act of giving? Who can Theological receive without losing his dignity in the very act of !̂ ŝ ,ions receiving, without having his resentment kindled?”Changing circumstances over the centuries have also made it clear that the means and methods of charity have to be adapted, that personal attention to individuals must also at times be extended to larger groups, so that basic social rights are protected as well as individual needs met. And always there has been the challenge of the selfless love in which we meet the Lord who sustains the effort: “Whatever you did for one of these least brothers of mine, you did for me.”The Spiritual Works o f MercyChrist reminds his Tempter in the desert that “one does not live by bread alone.” Mind, “heart,” the soul itself have their own joys, needs, and distresses beyond their interactions with the body.MT4.4 In “casting out devils,” then, comforting the sorrowful, patiently teaching the unlearned and inexperienced, or admonishing the sinner, Christ addresses these needs, too. He notes with irony—and is echoed down the centuries from St. Augustine to Mother Teresa—that the rich can be among the poorest in a society spiritually, and so also among the needy.There are in the gospels, however, no“canonical” listing of works of mercy addressing these needs. In the early Middle Ages, however, commentators on the Bible begin to “spiritualize” the corporal works, applying them to the life of mind and will. Thus, Bede the Venerable:In truth according to a higher understanding they [the corporal works] show the perfection of charity, by which the one hungering and thirsting for justice is refreshed with the bread of the word and Sherman Gray, the drink of divine wisdom; and by which the one straying from the way of the truth is led by penitence into the hospitality of Mother Church; and by which the one who is sick in faith is tended to, and by which the one placed in the prison of difficulties, tribulations and sorrow is uplifted by the help of consolation.By the 13th century, commentators like v®sti0’ p°r0’J Cibo, Redimo,Bonaventure and Aquinas were offering their Tego, coingo, readers a comparable list of basic spiritual °" ° and their students, mnemonic formulas to Consule’works help retain them.Castiga,Solare,Redime, Doce, Fer, OraAdaptations continue to be an interesting feature of the works. With the establishment ofHypertrophy,Complexenlargementhospitals, one is not simply to visit the sick, but to nurse, care for them; one doesn’t simply visit the prisoner but tries to free him. In the latter instance, what was probably in mind were the many crusaders and other Christians enslaved during wars with the Moslems, but available for rescue with an adequate ransom.While any critical need would hopefully be addressed as it arose, the tendency to further specialize and institutionalize aid is evident, beginning with the deacons appointed by the Apostles and growing apace with hospitals, orphanages, schools, prison aid societies, legal defense groups, Houses of Hospitality, refuges for abused women—in an endless and changing parade over the centuries. But a counter-tendency to conglomerate has also occurred, in our day especially. Consider in another area, for example, the case of the simple book-store. In the last few years, it is not unusual for one to become additionally a cafe, a stage for readings and lectures, a concert space, an art gallery, and, occasionally, a temporary day-care center with children’s story hours.Among the institutionalized works, instruction has, perhaps, experienced the most notable of suchhypertrophies. In the last forty or fifty years, American colleges and universities under religious auspices have followed a general trend to provide a wide range of new services and programs to students who do, in fact, bring additional interests, problems, and obligations. The challenge, it would seem, is how teaching and learning (and the earnest search for truth which they require) can retain their primacy in such a welter of functions, how volunteer service can be properly related to the basic functions, and how both can maintain the religious motivation that makes them works of mercy.The ExhibitionFor the present exhibition about the works of mercy, we have drawn only on material from our own collection. Some of the prints are specifically about one or the other of the works; others are more generally related to them, as in scenes simply of the needy or distressed. Series of prints or paintings about all the works of mercy were, in fact, not often produced by artists, especially of the spiritual works. We have, however, at least two sets of the corporal works, the first by the Flemish artist, Martin de Vos (c. 1531-1603), the second by the French artist Sebastien Bourdon (1616-71), whose painting of The Flight Into Egypt is also in the collection. TheBourdon prints are copies he made from a series of paintings which are now at the Ringling Museum, Sarasota.In most of the depictions, the emphasis is on the pathetic condition of the needy or the victimized rather than on the solicitude of the caregiver. This is especially true with French artists of the 19th century, still inspired by democratic ideals of the Revolution and rising socialist movements of their own period. With artists like Forain or Steinlen, the work is clearly a matter of conscience. Their compassion and outrage resulted in a steady stream of illustrations in journals and newspapers as well as in painting—and they had echoes in the early work of 20th century giants like Picasso and Van Gogh.The present selection of prints attempts to illustrate all fourteen of the traditional works. Our hope is that some will suggest the transcendent moment of compassion, peace, and even joy which is at the heart of the true work of mercy.Brother Daniel BurkeReadings ̂ Hugh F. Blunt, The Quality o f Mercy ') (Milwaukee: Bruce Publishing Company, 1945).Sidney Callahan, With All Our Heart and Mind:The Spiritual Works o f Mercy in a Psychological Age (New York: Crossroad, 1988).Gordon Graham, The Idea o f Christian Charity (Notre Dame: University of Notre Dame Press, 1990).Sherman W. Gray, The Least o f My Brethren: Matthew 25, 31-46, A History o f Interpretation (Atlanta: Scholars Press, 1988).Karl Rahner, SJ, “The Works of Mercy and Their Reward” Theological Investigations, Vol. VII,(New York: Herder and Herder, 1971).Michel Riquet, SJ, Christian Charity in Action (New York: Hawthorn Books, 1961).))Special Exhibition Gallery"You did it to me"Clothe the nakedFeed the hungryGive drink to the thirstyCorporal Works o f Mercy1. Fritz Eichenberg (1901-1990), AmericanChrist o f  the Breadlines (1955)Reproduction of original wood engraving for The Catholic Worker2. William Strang (1953-1921), EnglishMealtime (1883)Etching3. William Strang (1859-1921), EnglishThe Soup Kitchen (1889)Etching and drypoint4. Sebastien Bourdon (1616-1671), French Potare SilientesFrom the engraved Corporal Works o f  Mercy series5. Edgar Chahine (1874-1947), FrenchShelter the homelessAu Chateau Rouge DrypointPurchased with funds provided by the Art Angels.6. Albert Besnard (1849-1934), FrenchLa Mere Malade (1889)Etching and drypointGiven by Western Savings Bank, Philadelphia.7. Martin de Vos (1532-1603), FlemishIn Carcere Eram et Venisti ad Me Engraving8. Kathe Kollwitz (1867-1945), GermanThe E n d ( \m )Etching (restrike)Visit the sickVisit those in prisonBury the deadSpiritual Works o f MercyInstruct the ignorantAdmonish the sinnerForgive all injuriesCounsel the doubtfulPray for the living and the dead9. Fritz Eichenberg (1901-1990), AmericanJohn Baptist de La Salle Wood engraving( DISPLAY CASE AT ENTRANCE)10. Antonio Gionima (1697-1732), ItalianWomen Taken in AdulteryPen and ink with touches of red chalk11. James Jacques Tissot (1836-1902), French The ReturnFrom the parable of The Prodigal Son Series, 188112. Leonard Baskin (b. 1922— ), AmericanTobias and the Angel Wood engraving13. Irving Amen (Contemporary), AmericanDescent from a Southern Cross Woodcut14. Georges Rouault (1871-1958), French"The just, like sandalwood, perfume the axe that strikes them ” plate 46 from the Miserere Series, (Paris, Editions de L’Etoile Filente, 1948) Mixed intaglioPurchased: The Marjorie M. and Irwin Nat Pincus Fund for Prints and Drawings.15. Fritz Eichenberg (1901-1990), AmericanHomage to Dorothy Day, 1984 Wood engraving (Artist proof)Purchased with funds provided by The Art AngelsAnd the Victimized16. Theophile A. Steinlen (1859-1923), French"Les Soliloques Du Pauvre" by Jehan Rictus fromParis la Nuit, 1903 LithographPurchased with funds provided by Mrs. Lessing RosenwaldBearwrongspatientlyComfort the sorrowful17. Theophile A. Steinlen (1859-1923), FrenchWorkers Leaving the Factory, 1903 LithographPurchased with funds provided by The Art Angels18. Br. Richard Buccina, FSC (Contemporary), AmericanXy4vCoal Mine Layoff Woodcut19. Edgar Chahine (1874-1947), FrenchPortail de Saint-Germain L'Auxerrois, Paris Etching20. Auguste Bruet (1872-1941), FrenchThe Market Etching and drypointSUSAN DUNLEAVY COLLECTION OF BIBLICAL LITERATURECASE ICORPORAL WORKS OF MERCY1. Jan Luyken (1649-1712), DutchThe Last JudgmentEtching2. "Quickly bring the first robe and put it on him...” Figure del Vecchio et Nuovo Testamento (Venice: N. Bevilacqua, 1574)With accompanying verse by Simeoni and anony mous woodcut illustrations3. “The Parable of the Rich Man and Lazarus”The Parables from the Gospel (London: Ballantyne Press, 1903)Wood engraving illustrations by Charles Ricketts4. “Marriage at Cana”The Great Exemplar o f Sanctity and Holy Life... described in the history of..Jesus Christ by Jer: Taylor(London: Printed by R. Norton, 1607)Engraving by Will Faithome"You did it to me"Clothe the nakedFeed the hungryGive drink to the thirsty5. “Christ Healing the Blind”The Four Gospels o f  Matthew, Mark, Luke and John (Mt. Vernon, N.Y: Peter Pauper Press, 1950)Visit the sickWood engraved illustrations by Hans Alexander MuellerCASE IICORPORAL WORKS OF MERCY6. Arthur W. Heintzelman (1891-1965), American Le Vigneran 1933Give drink tothe thirsty „  , .EtchingPurchased with funds donated by Albert J. Crawford, Esq.7. “Raising to Life and Healing”The Gospels in Arabic and Latin Rome: In Typographia Medicea, 1591Visit the sickWoodcut illustrations attributed to Antonio Tempesta (1555-1630), Italian8. “Multiplication o f the Loaves”Histoire du Vieux et du Nouveau Testament by M. Basagne(Amsterdam: Chez Pierre Mortier Libraire, 1706)Feed theEngraved illustrations by Romeyn de Hooghe (1645-1708), Dutch9. “The Parable of the Good Samaritan”Rembrandt and the Bible(Utrecht, Netherlands, Magna Books, 1990)Reproduction of pen and brush drawing by RembrandtCASE IIISPIRITUAL WORKS OF MERCY10. Rembrandt van Rijn (1606-1669), Dutch The Return o f the Prodigal Son 1636Etching (A late, thus light and worn impression) Purchased with funds provided by the Art Angels11. The Risen Christ before Mary Magdalene”The Life o f Christ in Woodcuts(Murray Hill, New York: Farrar & Rinehard, Inc.,1930)Woodcut illustrations by James Reid12. The Sermon on the Mount(New York: The Golden Cross Press, 1935)Designed and hand illuminated by Valenti Angelo13. "Crucifixion"Evangelia and EpistolenVisit the sickForgive all injuriesComfort the sorrowfulInstruct the ignorant"Greater love hath no man"Admonish the sinnerAdmonish the sinnerForgive all injuriesInstruct the ignorant(Strasbourg: Grueninger, 1513)Woodcut illustration by an anonymous artistCASE IVSPIRITUAL WORKS OF MERCY14. William Strang (1859-1921), English “The Preacher”Etching15. "Christ Purges the Temple”The Life o f  Christ...(New York: Pellegrini and Cudahy, 1951)Wood engraved illustrations by Bruno Bramanti16. “Mary Magdalene Anoints Christ’s Feet” The Gospels in Arabic and Latin (Rome: In Typographia Medicea, 1591)Woodcut illustrations attributed to Antonio Tempesta (1555-1630), Italian17. Twelve Parables...(London: MacMillian and Co., 1870)Illustrated with chromo lithographs after sketchesby H.R. McHenry18. Widow o f Naim”Figures de la Bible(Amsterdam: Nicolaus Vischer (Nd.)Tri-lingual text (Latin, German, Dutch), with additional captions in English.Illustrated with engravings by Matthaeus Merian (1593-1650)Comfort the sorrowfulCaroline Wistar

The Works of Mercy

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The Works of Mercy

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