[Track 1]. Impresiones de la Puna / Alberto E. Ginastera -- [Track 2]. Sextet for piano and woodwind quintet FP 100 / Francis Poulenc -- [Track 3]. Cantata. Solitudine Avvenne / Alessandro Scarlatti -- [Track 4]. Suite for flute and jazz piano trio / Claude Bolling

Aguayo, Andrea

Anderson, Maigen

Behler, Rocio

Burson, Claudia

Cerda, Edrei

Hartman, Charles

Horner, Erin

Lopez, Ammi

Lou, Siyu

Remoy, Sara

Smith, Rebecca

Thompson, Andrew

Valencia, Fernando

Zhou, Rosabelle

Zuloaga, Florencia

English

UARK (University of Arkansas )

University of Arkansas, Fayetteville ScholarWorks@UARK Concert Recordings Music 2018 Concert recording 2018-05-14 Ammi Lopez Edrei Cerda Andrea Aguayo Erin Horner Charles Hartman See next page for additional authors Follow this and additional works at: https://scholarworks.uark.edu/musccr  Part of the Music Performance Commons Citation Lopez, A., Cerda, E., Aguayo, A., Horner, E., Hartman, C., Anderson, M., Zhou, R., Smith, R., Remoy, S., Zuloaga, F., Lou, S., Behler, R., Burson, C., Valencia, F., & Thompson, A. (2018). Concert recording 2018-05-14. Concert Recordings. Retrieved from https://scholarworks.uark.edu/musccr/441 This Music Performance is brought to you for free and open access by the Music at ScholarWorks@UARK. It has been accepted for inclusion in Concert Recordings by an authorized administrator of ScholarWorks@UARK. For more information, please contact scholar@uark.edu. Performer(s) Ammi Lopez, Edrei Cerda, Andrea Aguayo, Erin Horner, Charles Hartman, Maigen Anderson, Rosabelle Zhou, Rebecca Smith, Sara Remoy, Florencia Zuloaga, Siyu Lou, Rocio Behler, Claudia Burson, Fernando Valencia, and Andrew Thompson This music performance is available at ScholarWorks@UARK: https://scholarworks.uark.edu/musccr/441 - -rtJ UN IV ERS lTY 0 F~ARKANSAS.J. WILLIAM FULBRIGHTCollege of Arts & Sciences UAMusicGraduate Chamber Music RecitalAmmi Lopez, FluteMay 14th, 2018 I 6:00pmStella Boyle Smith Concert HallProgramImpresiones de la Puna Alberto E. Ginastera (1916-1983)Edrei Cerda, violin IAndrea Aguayo, violin IIErin Horner, violaCharles Hartman, celloSextet for Piano and Woodwind Quintet FP 100 Francis Poulenc (1899-1963)Maigen Anderson, oboeRosabell Zhou, clarinetRebecca Smith, hornSara Remoy, bassoonFlorencia Zuloaga, pianoINTERMISSIONCantata Solitudine A vvenne Alessandro Scarlatti (1660-1725)Siyu Lou, sopranoRocio Behler, pianoSuite for Flute and Jazz Piano Trio Claude Bolling (b.1930)Prof Claudia Burson, pianoProf. Fernando Valencia, drumsAndrew Thompson, string bassAmmi Lopez is a student of Dr. Ronda Mains.This recital is given in partial fulfillment of the Master of Music in Music PerformanceWe hope you enjoy tonight's performance.For more infonnation on the Department of Music and other events, please visit our calendar of events online at http://music.uark.eduUshering and stage management for this concert provided by Sigma Alpha Iota and Phi Mu Alpha.J WILLIAM FULBRIGHTCollege of Arts & Sciences UAMlJsicImpresiones de la PunaAlberto Ginastera (1916-1983) was born in Buenos Aires Argentina. He studied at the Conservatorio de Musica deBuenos Aires with Rodriguez Castro, Argenziani, Pialggio and Gil. Giinastera went to the Conseratoio Nacional de Musicay Arte Escenico to earn a degree in composition in 1938. 'He wrote Impresiones de la Punna in 1934 for flute and stringquartet. Ginastera dedicated it to the flutist Angel S. Martucci, who premiered the piece on November 30, 1934, with thestring quartet of the Conservatorio de Musica in Buenos Aires.'The title of the piece makes.a reference to the impressions of mountains or high plateau typically from the Andes region. Itis divided into three different movements: Quena which is an indigenous fiute made from wood from the Andes. Thissection is in ABA form and has a flute cadenza. The second section is called Cancion, which means song. It is in a minormode that reflects a melancholic character. The last movement, Danza, means dance and has a faster tempo in 6/8 withpentatonic scales in the flute and violin I.Sextet for Piano and Woodwind Quintet FP 100Francis Poulenc (1899-1963) was a French composer and pianist. He was considered one of Les Six, a group of Frenchcomposers who held musical aesthetic principles from Erik Satie." One of his largest chamber works is the Sextet forPiano and Woodwind FP 100 (1932-39)4 It was dedicated to his friend Georges Salles, who was a writer and curator ofthe Musee du Louvre. s Poulenc mentioned that the sextet music was "good music" in his letters to Andre Schaeffner(1933) and he expressed his frustrations about the publishing process of his work in his letters to Henri Sauguet (1939)6The first movement, Allegro Vivace is fast and opens with a toccata-like statement. The second movement,Divertissement is slower and begins with the oboe melody that is passed to the other instruments. The Finale is amodified rondo with lyrical sections and complexed rhythms.'"Solitudine Avvenne" from CantataAlessandro Scarlatti (1660-1725) was an Italian composer of operas and religious works. He was well known for histhematic development and chromatic harmony. Scarlatti wrote more than 600 chamber cantatas, and he expanded theinstrumentation for opera music, increasing the number of wind instruments. BSolitudine Avvenne, written for soprano, flute and harpsichord, has three recitatives, three arias and one final cadenza forvoice and flute.Suite for Flute and Jazz Piano TrioClaude Bolling (1930) is a French pianist, composer, and leader. He won the amateur jazz contest in Paris in 1944.Bolling has played with Duke Ellington, Chippie Hill, Rex Stewart, Roy Eldridge, Buck Blayton, Don Byas, Lionel Hamptonand Albert Nicholas. He started composing classical music with a jazz influence during the late 1950s. An example of thisis his Suite for Flute and Piano Trio in 1973, commissioned by the French fiute player Jean-Pierre Rarnpal.?The first movement, Baroque and Blue, is a combination of classical style, played by the flute, and blues style, played bythe piano. The Javanaise, a movement like Pau I Desmond's Take Five, alternates bars between 3/4 and 2/4 to create a5/4 pattern. The Irlandaise is a slower movement with an embellished melody mostly played in the fiute, which imitates, Ginastera, Alberto. Impresiones de la Puna. Montevideo, Uruguay: Editorial Cooperativa Interamericana, 1942.2 Breta Neel, 'Three Flute Chamber Works by Alberto Ginastera: Intertwining Elements of Art and Folk Music" (Doctoral Document,University of Nebraska, 2017) 43-4. .3 Lagasse, Paul. The Columbia Encyclopedia, 7'h ed. S.v. "Internet." New York: Columbia University Press, 2017.4 Marcel, Jean. Harvard Biographical Dictionary of music, 1" ed. s.v. "Internet" New York: Harvard University Press, 2003.5 Robert Shapiro, The French Composers and Their Menlors Jean Cocteau and Erik Satie (paris: Peter Owen PUblishers,2014).6 Carl Schmidt, The Music of Francis Poulenc (New York: Oxford University Press, 1995).'B rian Wise, All Music, https:flwww.allmusiccom/com position/sextet-for-wind-quintet-piano-in-c-majar-fp-100-mc0002377344(accessed 2018).8 Britannica Academic, s.v. "Alessandro Scarlatti," accessed May 8, 2018, https:l/O-academic-eb-com.library.uark.edu/levels/collegiate/article/Alessandr0-Scarlatli/66048.9 Rene Bayley, "Bolling: Suite for Flute and Jazz Piano Trio," The Magazine for Serious Record Collectors, 05, 2013.195.We hope you enjoy tonight's performance.For more information on the Department of Music and other events, please visit our calendar of events online at http://music.uark.eduUshering and stage management for this concert provided by Sigma Alpha Iota and Phi Mu Alpha .•J WILLIAM FULBRIGHTCollege of Arts & Sciences UAMlJsictraditional music from Ireland. The last movement, Veloce is in a faster tempo with syncopated rhythmic patterns thatends in a rhythmic unison with all instruments playing.Translation of the Cantata "Solitudine Avvenne"Solitudine avveneSolitude,Apriche colli notte,Ombrose valli,Un tempo di diletto, amiche sceneOr teatro di duolo, al guardo rnio.10da voi non pretendo, e non desio,Conforto al duol che sentoCh'ogni vostra delizia e mio tormento;Non gia che voi non siateE pili vaghe e pili ornate,Dogni erbetta, pili verde,D'ogni fior, pili ridente,Ma voi siete pili belle,10pili dolente.Ah, how welcome!I greet ye, sunkissed hilltops,Deep shaded valleys,Ye, once to me the scenes of mirth and pleasureBut, ala's, the abode now of grief and sorrow!Could I ask consolation from you.So serene who can never understand,What I suffer in silence and why I'm weeping!Not only that you're bloomingE'er new charms assuming,Verdant are you like bowers,And moke laughing than flowers'Ahl Ye've become so radiant,While I am saddened.10vi miro ancor vestite,Di fior vaghi e d'erba altera e dipinteColorite dall'amante primavera.Fanno a gara venticelliA baciar Ie vostre frondi e dan legge.I bei ruscelli dale ninfe ai crini biondi.hair.I behold ye all, sweetscented,Grasses, flowers, your praise I sing,Many colored, ye seem painted by the fairy hand of Spring.Little zephirs softly lispingIn the foliage playing e'ver, rivuletsBetween them crisping where the nymphs dwell with goldenMa pur tra voi non trovoQuel sollievo ch'io bramo a tante peneE in voi pur cerco e non ritrovo Irene.Una volta eri tu solo,Del mio duolo gran conforto 0 vago rio.Or s'accresce il mio tormento,Mentre sento il suo flebil mormorioHow e'ver'mong you I find outWith such longing, that consolation IAh! Never can I be happy till I have found her lrenalOnce, ah, I left blessing,Dearest' source, my pain didst lessen;Now, tormented, I hear thee flowing,But ever growing my grief's unrnended.'?10 Scarlatti, Alessandro. Solitudine avvenne (Cantata): Soprano Voice with Flute Obligato (Fayetteville, AR: Classical Vocal Reprints,2018)We hope you enjoy tonight's performance.For more information on the Department of Music and other events, please visit our calendar of events online at http://music.uark.eduUshering and stage management for this concert provided by Sigma Alpha Iota and Phi Mu Alpha.

Concert recording 2018-05-14

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Concert recording 2018-05-14

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