CORE
馃嚭馃嚘聽
聽 make metadata, not war
Services
Research
Services overview
Explore all CORE services
Access to raw data
API
Dataset
FastSync
Content discovery
Recommender
Discovery
OAI identifiers
OAI Resolver
Managing content
Dashboard
Bespoke contracts
Consultancy services
Support us
Support us
Membership
Sponsorship
Community governance
Advisory Board
Board of supporters
Research network
About
About us
Our mission
Team
Blog
FAQs
Contact us
She Casts Herself as Revolutionary: Performance and Performativity in The Man Who Loved Children
Authors
Brigid Rooney
Publication date
23 January 2013
Publisher
Association for the Study of Australian Literature
Abstract
This paper explores how Stead's contact with Marxism and her reading of Nietzsche shape the revolutionary subject inThe Man Who Loved Children
Similar works
Full text
Open in the Core reader
Download PDF
Available Versions
The University of Sydney: Sydney eScholarship Journals online
See this paper in CORE
Go to the repository landing page
Download from data provider
oai:ojs-prod.library.usyd.edu....
Last time updated on 17/10/2019
