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通感写作与百年新诗
Authors
董迎春
覃才
Publication date
15 July 2018
Publisher
北方论丛
Abstract
"通感"也即"象征",中国新诗"格律诗派""象征诗派""现代派"等不同流派在横向移植西方象征主义诗学表现手法的同时,以感官互通、彼此感应的"通感"书写建构了中国新诗以"知性""哲理性"为特征的诗性写作。在百年新诗中,具有现代汉语诗歌文体性特征的通感修辞和诗体通感,不仅深化了现代诗人对心灵世界与周围世界的诗性感应与精神探寻,还呈现了百年新诗本体性的审美方式与写作可能。2011年国家哲学社会科学基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(11BZW096); “广西民族文化保护与传承研究中心”建设经费资
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Institutional Repository of Guangxi University for Nationalities (GUN) / 广西民族大学机构知识库
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Last time updated on 17/10/2019