https://spiral.lynn.edu/conservatory_masterclasses/1120/thumbnail.jp

Cole, Orlando

Curteanu, Ilie

Echezabal, Christine

Lee, Seul-A

Lin, Tao

Pena, Wallas

Rusina, Oksana

Sapaev, Aziz

Sult, Vasile

English

Lynn University: SPIRAL (Scholarly Publications, Institutional Repository and Archives at Lynn)

When talent meets inspiration,the results are extraordinary.20072008C O N S E RVATO RY  O F  M U S I C  AT  LY N N  U N I V E R S I T Y  SeasonCONSERVATORY OF MUSICAT LYNN UNIVERSITY 3601 N. Military Trail, Boca Raton, FL  33431Phone: 561-237-9001Ticket Office: 561-237-9000     Fax: 561-237-9002E-mail: tickets@lynn.edu           www.lynn.edu/musicUPCOMING EVENTS Tuesday, November 20th STUDENT RECITALS 5:30 pm Valentin Mansurov, violinist, performs his Master of Music Recital with pianist, Tao Lin, Artist Faculty and Head of the Collaborative Piano Program.   7:30 pm Aziz Sapaev, cellist, performs his Junior Degree Recital in collaboration with pianist, Ni Peng, performing works of Bach, Beethoven and Haydn.    Time: 5:30 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE  Tuesday, November 27th STUDENT RECITALS 6:00 pm Nikola Nikolovski, trumpet player performs works of Hummel and Hansen in his Junior Recital. 7:30 pm Madeleine Leslie, double bassist, performs her Master of Music Recital performing works of Bottesini, Eccles and Saint Saëns.    Time: 6:00 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE  Thursday, November 29th STRING CONCERT #1 Treat yourself to an enjoyable evening of music featuring performances by Conservatory of Music string students.  Hear violinists, violists, cellists and bassists chosen to showcase the conservatory’s outstanding strings department.  Time: 7:30 p.m.   Location: Amarnick-Goldstein Concert Hall  Tickets: $10  Tuesday, December 4th STUDENT RECITALS 6:00 pm Bud Holmes, tuba player, performs his Junior Recital with Yang Shen, collaborative pianist.   7:30 pm Oksana Rusina, cellist, performs her PPC Recital with pianist, Yang Shen.    Time: 6:00 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE   Your contribution to the conservatory is tax-deductible. For additional information, please call the development office at 561-237-7467.Dr. Jon Robertson,DeanWelcome to the 2007-2008 season. As dean of theconservatory, I greet the season with unabatedenthusiasm and excitement. The talented musiciansand extraordinary performing faculty at Lynn repre-sent the future of the performing arts, and you, thepatrons, pave the road to their artistic successthrough your presence and generosity.There are a number of ways by which you can helpus fulfill our mission:THE ANNUAL FUNDA gift to the Annual Fund can benefit scholarships,various studios, special concerts or the generalconservatory fund.THE LEADERSHIP SOCIETY OF LYNN UNIVERSITYWith an annual gift of $2,500 or more during thefiscal year July 1 to June 30, you will be recognizedin our new Leadership Society. This premier annualgiving society honors donors who recognize thesignificant impact leadership gifts have in sustainingthe excellence of conservatory programs. ESTATE GIFTAn estate gift will provide for the conservatory inperpetuity. Your estate gift may be made as a giftof appreciated stock, real estate, bequests and/orplanned gifts.FRIENDS OF THE CONSERVATORY OF MUSICSince its establishment in 2003, the Friends of theConservatory of Music has raised significant fundsfor the conservatory through membership dues andspecial events. This dedicated group provides finan-cial support for scholarships and other conservatoryneeds. Beyond outstanding music, members of the Friendsof the Conservatory also have the pleasure of associ-ating with others who share their enthusiasm for theconservatory and its mission.Members gather through theyear for membership meet-ings and an annual tea onApril 9, 2008. Musical pro-grams are provided by thefaculty and students for thesespecial events.MASTER CLASS ORLANDO COLE Tao Lin, piano  Monday, November 19, 2007 7:30 p.m. Amarnick-Goldstein Concert Hall Lynn University Conservatory of Music Boca Raton, FL    Hungarian Rhapsody     Popper  Christine Echezabal, cello    Cello Concerto no. 2 in D Major    Haydn Allegro Moderato Adagio Allegro      Ilie Curteanu, cello    Suite III in C Major for Cello Solo   J. S. Bach Prelude Allemande Courante Sarabande Bourree I-II Gigue  Aziz Sapaev, cello   Sonata for Cello and Piano    Debussy  Prologue  Serenade et finale  Finale  Oksana Rusina, cello   String Quartet Op. 18, no. 1    Beethoven Allegro con brio Seul-A Lee, violin Vasile Sult, violin Wallas Pena, viola Aziz Sapaev, cello   ORLANDO COLE is a cello teacher who has taught a generation of soloists and first cellists in a dozen leading orchestras. Among them are Lynn Harrell, David Cole, Ronald Leonard, Owen Carman, Daniel Lee, Lorne Munroe, and Marcie Rosen.[1] In 1986 he received an honorary "Doctor of Music" from the Curtis Institute of Music of Philadelphia, and in 1990 was honored by the American String Teachers Association as "Teacher of the Year". Mr. Cole has also been honored by the Philadelphia Art Alliance and the venerable Musical Fund Society of Philadelphia. In 1999 he was given the first award by the Curtis alumni.  Born and raised in Philadelphia, he entered the first class of the Curtis Institute of Music in 1924 as a pupil of Felix Salmond and graduated in 1934. Along with Jascha Brodsky, Charles Jaffe, and Max Aronoff, he was a founding member of what was then known as the Swastika Quartet, in 1927. When Hitler came to power and adopted this symbol of Apollo (albeit rotated), the fledgling quartet needed a new name and, with the permission of the school's founder, Mary Louise Curtis, they were granted the name of their alma mater. The Curtis Quartet was a pioneer in its time, being the premier group in America during the prewar years and the first American quartet to tour Europe, including a command performance before Mary of Teck, Queen Consort of George V of the United Kingdom. Before disbanding in 1981, the founding nucleus of Brodsky, Aronoff, and Cole remained intact; after Jaffe, the second violin position was held by Louis Berman, Enrique Serratos, Mehli Mehta, Geoffrey Michaels, and Yumi Ninomiya Scott.   During all this time, Cole was as well close with his classmate and friend, Samuel Barber, who first wrote for him the sonata, op. 6. They in fact collaborated on it as students, with Barber writing a page at a time which the two would read through together, until they gave the work its premier in Town Hall in 1934. Barber wrote as well his quartet, op. 11, with its famous adagio, for the Curtis Quartet. Incidentally, the ensemble played this work from manuscript for several years, and it was only when the time of publication arrived that Barber chose to make major changes: the first movement was cut down significantly, with its finale ultimately becoming the finale of what we have now as the third movement; and the original contrapuntal third movement was abandoned entirely for a reprise of the first movement material. In addition, the work Dover Beach, for baritone and quartet, was written for them. This work was originally conceived for mezzo soprano, but after hearing the premiere in Curtis Hall, Barber was dissatisfied and chose to sing it himself for the subsequent recording made with the Curtis Quartet.  Mr. Cole has taught at the Curtis Institute of Music for seventy-five years, first as Salmond's assistant while still a student and then succeeding his teacher. There was a brief gap in his tenure at the school, however, during the years just following World War II. The members of the quartet had grown dissatisfied with certain of the objectives and policies of the school and decided to found their own institution for the training of chamber and orchestral musicians, called the New School of Music. This institution, initially located just a few blocks from Curtis, was for over thirty years an important training center. After returning to their duties at Curtis in the mid-1950s, Cole and the members of the quartet taught concurrently at both schools. Not long after the ensemble's violist, Max Aronoff, who was also director of the New School, died in 1981, the school was absorbed into Temple University where Cole and Brodsky continued to teach. Cole also helped to found the Encore School for Strings in Hudson, Ohio, along with David Cerone who had left his position as violin teacher at Curtis to assume the directorship of the Cleveland Institute of Music. During nearly all this time, he has worked with his former pupil and assistant, Metta Watts.  Mr. Cole has held master-classes all over the world. He recently retired from the Curtis Institute, but continues to teach at the Temple University in the preparatory division with his assistant Metta Watts. Orlando presently resides in Philadelphia.       Your contribution to the conservatory is tax-deductible. For additional information, please call the development office at 561-237-7467.Dr. Jon Robertson,DeanWelcome to the 2007-2008 season. As dean of theconservatory, I greet the season with unabatedenthusiasm and excitement. The talented musiciansand extraordinary performing faculty at Lynn repre-sent the future of the performing arts, and you, thepatrons, pave the road to their artistic successthrough your presence and generosity.There are a number of ways by which you can helpus fulfill our mission:THE ANNUAL FUNDA gift to the Annual Fund can benefit scholarships,various studios, special concerts or the generalconservatory fund.THE LEADERSHIP SOCIETY OF LYNN UNIVERSITYWith an annual gift of $2,500 or more during thefiscal year July 1 to June 30, you will be recognizedin our new Leadership Society. This premier annualgiving society honors donors who recognize thesignificant impact leadership gifts have in sustainingthe excellence of conservatory programs. ESTATE GIFTAn estate gift will provide for the conservatory inperpetuity. Your estate gift may be made as a giftof appreciated stock, real estate, bequests and/orplanned gifts.FRIENDS OF THE CONSERVATORY OF MUSICSince its establishment in 2003, the Friends of theConservatory of Music has raised significant fundsfor the conservatory through membership dues andspecial events. This dedicated group provides finan-cial support for scholarships and other conservatoryneeds. Beyond outstanding music, members of the Friendsof the Conservatory also have the pleasure of associ-ating with others who share their enthusiasm for theconservatory and its mission.Members gather through theyear for membership meet-ings and an annual tea onApril 9, 2008. Musical pro-grams are provided by thefaculty and students for thesespecial events.MASTER CLASS ORLANDO COLE Tao Lin, piano  Monday, November 19, 2007 7:30 p.m. Amarnick-Goldstein Concert Hall Lynn University Conservatory of Music Boca Raton, FL    Hungarian Rhapsody     Popper  Christine Echezabal, cello    Cello Concerto no. 2 in D Major    Haydn Allegro Moderato Adagio Allegro      Ilie Curteanu, cello    Suite III in C Major for Cello Solo   J. S. Bach Prelude Allemande Courante Sarabande Bourree I-II Gigue  Aziz Sapaev, cello   Sonata for Cello and Piano    Debussy  Prologue  Serenade et finale  Finale  Oksana Rusina, cello   String Quartet Op. 18, no. 1    Beethoven Allegro con brio Seul-A Lee, violin Vasile Sult, violin Wallas Pena, viola Aziz Sapaev, cello   ORLANDO COLE is a cello teacher who has taught a generation of soloists and first cellists in a dozen leading orchestras. Among them are Lynn Harrell, David Cole, Ronald Leonard, Owen Carman, Daniel Lee, Lorne Munroe, and Marcie Rosen.[1] In 1986 he received an honorary "Doctor of Music" from the Curtis Institute of Music of Philadelphia, and in 1990 was honored by the American String Teachers Association as "Teacher of the Year". Mr. Cole has also been honored by the Philadelphia Art Alliance and the venerable Musical Fund Society of Philadelphia. In 1999 he was given the first award by the Curtis alumni.  Born and raised in Philadelphia, he entered the first class of the Curtis Institute of Music in 1924 as a pupil of Felix Salmond and graduated in 1934. Along with Jascha Brodsky, Charles Jaffe, and Max Aronoff, he was a founding member of what was then known as the Swastika Quartet, in 1927. When Hitler came to power and adopted this symbol of Apollo (albeit rotated), the fledgling quartet needed a new name and, with the permission of the school's founder, Mary Louise Curtis, they were granted the name of their alma mater. The Curtis Quartet was a pioneer in its time, being the premier group in America during the prewar years and the first American quartet to tour Europe, including a command performance before Mary of Teck, Queen Consort of George V of the United Kingdom. Before disbanding in 1981, the founding nucleus of Brodsky, Aronoff, and Cole remained intact; after Jaffe, the second violin position was held by Louis Berman, Enrique Serratos, Mehli Mehta, Geoffrey Michaels, and Yumi Ninomiya Scott.   During all this time, Cole was as well close with his classmate and friend, Samuel Barber, who first wrote for him the sonata, op. 6. They in fact collaborated on it as students, with Barber writing a page at a time which the two would read through together, until they gave the work its premier in Town Hall in 1934. Barber wrote as well his quartet, op. 11, with its famous adagio, for the Curtis Quartet. Incidentally, the ensemble played this work from manuscript for several years, and it was only when the time of publication arrived that Barber chose to make major changes: the first movement was cut down significantly, with its finale ultimately becoming the finale of what we have now as the third movement; and the original contrapuntal third movement was abandoned entirely for a reprise of the first movement material. In addition, the work Dover Beach, for baritone and quartet, was written for them. This work was originally conceived for mezzo soprano, but after hearing the premiere in Curtis Hall, Barber was dissatisfied and chose to sing it himself for the subsequent recording made with the Curtis Quartet.  Mr. Cole has taught at the Curtis Institute of Music for seventy-five years, first as Salmond's assistant while still a student and then succeeding his teacher. There was a brief gap in his tenure at the school, however, during the years just following World War II. The members of the quartet had grown dissatisfied with certain of the objectives and policies of the school and decided to found their own institution for the training of chamber and orchestral musicians, called the New School of Music. This institution, initially located just a few blocks from Curtis, was for over thirty years an important training center. After returning to their duties at Curtis in the mid-1950s, Cole and the members of the quartet taught concurrently at both schools. Not long after the ensemble's violist, Max Aronoff, who was also director of the New School, died in 1981, the school was absorbed into Temple University where Cole and Brodsky continued to teach. Cole also helped to found the Encore School for Strings in Hudson, Ohio, along with David Cerone who had left his position as violin teacher at Curtis to assume the directorship of the Cleveland Institute of Music. During nearly all this time, he has worked with his former pupil and assistant, Metta Watts.  Mr. Cole has held master-classes all over the world. He recently retired from the Curtis Institute, but continues to teach at the Temple University in the preparatory division with his assistant Metta Watts. Orlando presently resides in Philadelphia.      When talent meets inspiration,the results are extraordinary.20072008C O N S E RVATO RY  O F  M U S I C  AT  LY N N  U N I V E R S I T Y  SeasonCONSERVATORY OF MUSICAT LYNN UNIVERSITY 3601 N. Military Trail, Boca Raton, FL  33431Phone: 561-237-9001Ticket Office: 561-237-9000     Fax: 561-237-9002E-mail: tickets@lynn.edu           www.lynn.edu/musicUPCOMING EVENTS Tuesday, November 20th STUDENT RECITALS 5:30 pm Valentin Mansurov, violinist, performs his Master of Music Recital with pianist, Tao Lin, Artist Faculty and Head of the Collaborative Piano Program.   7:30 pm Aziz Sapaev, cellist, performs his Junior Degree Recital in collaboration with pianist, Ni Peng, performing works of Bach, Beethoven and Haydn.    Time: 5:30 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE  Tuesday, November 27th STUDENT RECITALS 6:00 pm Nikola Nikolovski, trumpet player performs works of Hummel and Hansen in his Junior Recital. 7:30 pm Madeleine Leslie, double bassist, performs her Master of Music Recital performing works of Bottesini, Eccles and Saint Saëns.    Time: 6:00 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE  Thursday, November 29th STRING CONCERT #1 Treat yourself to an enjoyable evening of music featuring performances by Conservatory of Music string students.  Hear violinists, violists, cellists and bassists chosen to showcase the conservatory’s outstanding strings department.  Time: 7:30 p.m.   Location: Amarnick-Goldstein Concert Hall  Tickets: $10  Tuesday, December 4th STUDENT RECITALS 6:00 pm Bud Holmes, tuba player, performs his Junior Recital with Yang Shen, collaborative pianist.   7:30 pm Oksana Rusina, cellist, performs her PPC Recital with pianist, Yang Shen.    Time: 6:00 pm and 7:30 pm  Location: Amarnick-Goldstein Concert Hall  Tickets: FREE  

2007-2008 Master Class - Orlando Cole (Cello)

https://spiral.lynn.edu/cgi/viewcontent.cgi?article=1120&amp;context=conservatory_masterclasses

2007-2008 Master Class - Orlando Cole (Cello)

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Lynn University: SPIRAL (Scholarly Publications, Institutional Repository and Archives at Lynn)